Tác giả:
Nguyên tác: The Art Of Seduction
Language: English
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Cập nhật: 2019-01-08 18:12:40 +0700
Psychological Traits Of The Natural
C
hildren are not as guileless as we like to imagine. They suffer from feelings of helplessness, and sense early on the power of their natural charm to remedy their weakness in the adult world. They learn to play a game: if their natural innocence can persuade a parent to yield to their de-sires in one instance, then it is something they can use strategically in an-other instance, laying it on thick at the right moment to get their way. If their vulnerability and weakness is so attractive, then it is something they
can use for effect.
Why are we seduced by children's naturalness? First, because anything natural has an uncanny effect on us. Since the beginning of time, natural phenomena—such as lightning storms or eclipses—have instilled in human beings an awe tinged with fear. The more civilized we become, the greater the effect such natural events have on us; the modern world surrounds us with so much that is manufactured and artificial that something sudden and inexplicable fascinates us. Children also have this natural power, but be-cause they are unthreatening and human, they are not so much awe inspir-ing as charming. Most people try to please, but the pleasantness of the child comes effortlessly, defying logical explanation—and what is irrational is often dangerously seductive.
More important, a child represents a world from which we have been forever exiled. Because adult life is full of boredom and compromise, we harbor an illusion of childhood as a kind of golden age, even though it can often be a period of great confusion and pain. It cannot be denied, how-ever, that childhood had certain privileges, and as children we had a plea-surable attitude to life. Confronted with a particularly charming child, we often feel wistful: we remember our own golden past, the qualities we have lost and wish we had again. And in the presence of the child, we get a little of that goldenness back.
Natural seducers are people who somehow avoided getting certain childish traits drummed out of them by adult experience. Such people can be as powerfully seductive as any child, because it seems uncanny and mar-velous that they have preserved such qualities. They are not literally like children, of course; that would make them obnoxious or pitiful. Rather it is the spirit that they have retained. Do not imagine that this childishness is something beyond their control. Natural seducers learn early on the value of retaining a particular quality, and the seductive power it contains; they adapt and build upon those childlike traits that they managed to preserve, exactly as the child learns to play with its natural charm. This is the key. It is within your power to do the same, since there is lurking within all of us a devilish child straining to be let loose. To do this successfully, you have to be able to let go to a degree, since there is nothing less natural than seeming hesitant. Remember the spirit you once had; let it return, without self-consciousness. People are much more forgiving of those who go all the way, who seem uncontrollably foolish, than the halfhearted adult with a childish streak. Remember who you were before you became so polite and self-effacing. To assume the role of the Natural, mentally position yourself in any relationship as the child, the younger one.
The following are the main types of the adult Natural. Keep in mind that the greatest natural seducers are often a blend of more than one of these qualities.
The innocent. The primary qualities of innocence are weakness and mis-understanding of the world. Innocence is weak because it is doomed to vanish in a harsh, cruel world; the child cannot protect or hold on to its in-nocence. The misunderstandings come from the child's not knowing about good and evil, and seeing everything through uncorrupted eyes. The weak-ness of children elicits sympathy, their misunderstandings make us laugh, and nothing is more seductive than a mixture of laughter and sympathy.
The adult Natural is not truly innocent—it is impossible to grow up in this world and retain total innocence. Yet Naturals yearn so deeply to hold on to their innocent outlook that they manage to preserve the illusion of innocence. They exaggerate their weakness to elicit the proper sympathy. They act like they still see the world through innocent eyes, which in an adult proves doubly humorous. Much of this is conscious, but to be effec-tive, adult Naturals must make it seem subtle and effortless—if they are seen as trying to act innocent, it will come across as pathetic. It is better for them to communicate weakness indirectly, through looks and glances, or through the situations they get themselves into, rather than anything obvi-ous. Since this type of innocence is mostly an act, it is easily adaptable for your own purposes. Learn to play up any natural weaknesses or flaws.
The imp. Impish children have a fearlessness that we adults have lost. That is because they do not see the possible consequences of their actions—how some people might be offended, how they might physically hurt themselves in the process. Imps are brazen, blissfully uncaring. They infect you with their lighthearted spirit. Such children have not yet had their natural energy and spirit scolded out of them by the need to be polite and civil. Secretly, we envy them; we want to be naughty too.
Adult imps are seductive because of how different they are from the rest of us. Breaths of fresh air in a cautious world, they go full throttle, as if their impishness were uncontrollable, and thus natural. If you play the part, do not worry about offending people now and then—you are too lovable and inevitably they will forgive you. Just don't apologize or look contrite, for that would break the spell. Whatever you say or do, keep a glint in your eye to show that you do not take anything seriously.
The wonder. A wonder child has a special, inexplicable talent: a gift for music, for mathematics, for chess, for sport. At work in the field in which they have such prodigal skill, these children seem possessed, and their ac-tions effortless. If they are artists or musicians, Mozart types, their work seems to spring from some inborn impulse, requiring remarkably little thought. If it is a physical talent that they have, they are blessed with un-usual energy, dexterity, and spontaneity. In both cases they seem talented beyond their years. This fascinates us.
Adult wonders are often former wonder children who have managed, remarkably, to retain their youthful impulsiveness and improvisational skills. True spontaneity is a delightful rarity, for everything in life conspires to rob us of it—we have to learn to act carefully and deliberately, to think about how we look in other people's eyes. To play the wonder you need some skill that seems easy and natural, along with the ability to improvise. If in fact your skill takes practice, you must hide this and learn to make your work appear effortless. The more you hide the sweat behind what you do, the more natural and seductive it will appear.
The undefensive lover. As people get older, they protect themselves against painful experiences by closing themselves off. The price for this is that they grow rigid, physically and mentally. But children are by nature unprotected and open to experience, and this receptiveness is extremely attractive. In the presence of children we become less rigid, infected with their open-ness. That is why we want to be around them.
Undefensive lovers have somehow circumvented the self-protective process, retaining the playful, receptive spirit of the child. They often manifest this spirit physically: they are graceful, and seem to age less rapidly than other people. Of all the Natural's character qualities, this one is the most useful. Defensiveness is deadly in seduction; act defensive and you'll bring out defensiveness in other people. The undefensive lover, on the other hand, lowers the inhibitions of his or her target, a critical part of se-duction. It is important to learn to not react defensively: bend instead of resist, be open to influence from others, and they will more easily fall under your spell.