hate him,' Tad said reflectively. 'I wish he'd die.'

'Yes. Me too.'

She looked out the window and saw that the sun was getting ready to go down. A superstitious dread settled into her at the thought. She remembered the childhood games of hide-and-seek that had always ended when the shadows joined each other and grew into purple lagoons, that mystic call drifting through the suburban streets of her childhood, talismanic and distant, the high voice of a child announcing suppers that were ready, doors ready to be shut against the night:

'Alleee-alleee-infree! Alleee-alleee-infree!'

The dog was watching her. It was crazy, but she could no longer doubt it. Its mad, senseless eyes were fixed unhesitatingly on hers.

No, you're imagining it. It's only a dog, and a sick dog at that. Things are bad enough without you seeing something in that dog's eyes that can't be there.

She told herself that. A few minutes later she told herself that Cujo's eyes were like the eyes of some portraits which seem to follow you wherever you move in the room where they are hung.

But the dog was looking at her. And ... and there was something familiar about it.

No, she told herself, and tried to dismiss the thought, but it was too late

You've seen him before, haven't you? The morning after Tad bad the first of his bad dreams, the morning that the blankets and sheets were back on the chair, his Teddy on top of them, and for a moment when you opened the closet door YOU only saw a slumped shape with red eyes, something in Tad's closet ready to spring, it was him, it was Cujo, Tad was right all along, only the monster wasn't in his closet... it was out here. It was

(stop it)

out here just waiting to

(! YOU STOP IT DONNA!)

She stared at the dog and imagined she could bear its thoughts. Simple thoughts. The same simple pattern, repeated over and over in spite of the whirling boil of its sickness and delirium.

Kill THE WOMAN Kill THE BOYWOMAN. Kill THE WOMAN Kill -Stop it, she commanded herself roughly. It doesn't think and it's not some goddamned bogeyman out of a child's closet. It's a sick dog and that's all it is. Next you'll believe the dog is God's punishment for committing

Cujo suddenly got up -almost as if she had called him - and disappeared into the barn again.

(almost as if I called it)

She uttered a shaky, semi-hysterical laugh.

Tad looked up. 'Mommy?'

'Nothing, hon.'

She looked at the dark maw of the garage-barn, then at the back door of the house. Locked? Unlocked? Locked? Unlocked? She thought of a coin rising in the air, flipping over and over. She thought of whirling the chamber drum of a pistol, five holes empty, one full. Locked? Unlocked

The sun went down, and what was left of the day was a white line painted on the western horizon. It looked no thicker than the white stripe painted down the center of the highway. That would be gone soon enough. Crickets sang in the high grass to the right of the driveway, making a mindlessly cheerful rickety-rickety sound.

Cujo was still in the barn. Sleeping? she wondered. Eating?

That made her remember that she had packed them some food. She crawled between the two front buckets and got the Snoopy lunchbox and her own brown bag. Her Thermos had rolled all the way to the back, probably when the car had started to buck and jerk coming up the road. She had to stretch, her blouse coming untucked, before she could hook it with her fingers. Tad, who had been in a half doze, stirred awake. His voice was immediately filled with a sharp fright that made her hate the damned dog even more.

'Mommy? Mommy? What are you -'

��- Just getting the food,' she soothed him. 'And my Thermos -see?'

'Okay.' He settled back into his seat and put his thumb in his mouth again.

She shook the big Thermos gently beside her ear, listening for the grating sound of broken glass. She only heard milk swishing around inside. That was something, anyhow.

:Tad? You want to cat?'

I want to take a nap,' he said around his thumb, not opening his eyes.

'You gotta feed the machine, chum,' she said.

He didn't even smile. 'Not hungry. Sleepy.'

She looked at him, troubled, and decided it would be wrong to force the issue any further. Sleep was Tad's natural weapon -maybe his only one - and it was already half an hour past his regular bedtime. Of course, if they had been home, he would have had a glass of milk and a couple of cookies before brushing his teeth ... and a story, one of his Mercer Mayer books, maybe ... and ...

She felt the hot sting of tears and tried to push all those thoughts away. She opened her Thermos with shaky hands and poured herself half a cup of milk. She set it on the dashboard and took one of the figbars. After one bite she realized she was absolutely ravenous. She ate three more figbars, drank some milk, popped four or five of the green olives, then drained her cup. She burped gently... and then looked more sharply at the barn.

There was a darker shadow in front of it now. Except it wasn't just a shadow. It was the dog. It was Cujo.

He's standing watch over us.

No, she didn't believe that. Nor did she believe she had seen a vision of Cujo in a pile of blankets stacked in her son's closet. She didn't ... except ... except part of her did. But that part wasn't in her mind.

She glanced up into the rearview mirror at where the road was. It was too dark now to see it, but she knew it was there, just as she knew that nobody was going to go by. When they had come out that other time with Vic's Jag, all three of them (the dog was nice then, her brain muttered, the Tadder patted him and laughed, remember?), laughing it up and having a great old time, Vic had told her that until five years ago the Castle Rock Dump had been out at the end of Town Road No. 3. Then the new waste treatment plant had gone into operation on the other side of town, and now, a quarter of a mile beyond the Camber place, the road simply ended at a place where a heavy chain was strung across it. The sign which hung from the chain read NO TRESPASSING DUMP CLOSED. Beyond Cambers', there was just no place to go.

Donna wondered if maybe some people in search of a really private place to go parking might not ride by, but she couldn't imagine that even the horniest of local kids would want to neck at the old town dump. At any rate, no one had passed yet.

The white line on the western horizon had faded to a bare afterglow now . . . and she was afraid that even that was mostly wishful thinking. There was no moon.

Incredibly, she felt drowsy herself. Maybe sleep was her natural weapon, too. And what else was there to do? The dog was still out there (at least she thought it was; the darkness had gotten just deep enough to make it hard to tell if that was a real shape or just a shadow). The battery had to rest. Then she could try again. So why not sleep?

The package on his mailbox. That package from J.C. Whitney.

She sat up a little straighter, a puzzled frown creasing her brow. She turned her head, but from here the front corner of the house blocked her view of the mailbox. But she had seen the package, hung from the front of the box. Why had she thought of that? Did it have some significance?

She was still holding the Tupperware dish with the olives and slices of cucumbers inside, each wrapped neatly in Saran Wrap. Instead of eating anything else, she carefully put the white plastic cover on the Tupperware dish and stowed it back in Tad's lunchbox. She did not let herself think much about why she was being so careful of the food. She settled back in the bucket seat and found the lever that tipped it back. She meant to think about the package hooked over the mailbox -there was something there, she was almost sure of it - but soon her mind had slipped away to another idea, one that took on the bright tones of reality as she began to doze off.

The Cambers had gone to visit relatives. The relatives were m some town that was two, maybe three hours' drive away. Kennebunk, maybe. Or Hollis. Or Augusta. It was a family reunion.

Her beginning-to-dream mind saw a gathering of fifty people or more on a green lawn of TV-commercial size and beauty. There was a fieldstone barbecue pit with a shimmer of heat over it. At a long trestle table there were at least four dozen people, passing platters of corn on the cob and dishes of home-baked beans - pea beans, soldier beans, red kidney beans. There were plates of barbecued franks (Donna's stomach made a low goinging sound at this vision). On the table was a homely checked tablecloth. All this was being presided over by a lovely old woman with pure white hair that had been rolled into a bun at the nape of her neck. Fully inserted into the capsule of her dream now, Donna saw with no surprise at all that this woman was her mother.

The Cambers were there, but they weren't really the Cambers at all. Joe Camber looked like Vic in a clean Sears work coverall, and Mrs. Camber was wearing Donna's green watered-silk dress. Their boy looked the way Tad was going to look when he was in the fifth grade ...

'Mommy?'

The picture wavered, started to break up. She tried to hold on to it because it was peaceful and lovely: the archetype of a family life she had never had, the type she and Vic would never have with their one planned child and their carefully programmed lives. With sudden rising sadness, she wondered why she had never thought of things in that light before.

'Mommy?'

The picture wavered again and began to darken. That voice from outside, piercing the vision the way a needle may pierce the shell of an egg. Never mind. The Cambers were at their family reunion and they would pull in later, around ten, happy and full of barbecue. Everything would be all right. The Joe Camber with Vic's face would take care of everything. Everything would be all right again. There were some things that God never allowed. It would

'Mommy!'

She came out of the doze, sitting up, surprised to find herself behind the wheel of the Pinto instead of at home in bed ... but only for a second. Already the lovely, surreal image of the relatives gathered around the trestle picnic table were beginning to dissolve, and in fifteen minutes she would not even remember that she had dreamed.

'Huh? What?'

Suddenly, shockingly, the phone inside the Cambers' house began to ring. The dog rose to its feet, moving shadows that resolved themselves into its large and ungainly form.

'Mommy, I have to go to the bathroom.'

Cujo began to roar at the sound of the telephone. He was not barking; he was roaring. Suddenly he charged at the house. He struck the back door hard enough to shake it in its frame.

No. she thought sickly. oh no, stop, please, stop

'Mommy, I have to -'

The dog was snarling, biting at the wood of the door. She could hear the sick splintering sounds its teeth made.

��go weewee.'

The phone rang six times. Eight times. Ten. Then it stopped.

She realized she had been holding her breath. She let it out through her teeth in a low, hot sigh.

Cujo stood at the door, his back paws on the ground, his forepaws on the top step. He continued to growl low in his chest - a hateful, nightmarish sound. At last he turned and looked at the Pinto for a time - Donna could see the dried foam caked on his muzzle and chest - then he padded back into the shadows and grew indistinct. It was impossible to tell exactly where he went. In the garage, maybe. Or maybe down the side of the barn.

Tad was tugging desperately at the sleeve of her shirt.

'Mommy, I have to go bad!'

She looked at him helplessly.

Brett Camber put the phone down slowly. 'No one answered. He's not home, I guess.'

Charity nodded, not terribly surprised. She was glad that Jim had suggested they make the call from his office, which was downstairs and off the 'family room'. The family room was soundproofed. There were shelves of board games in there, a Panasonic large-screen TV with a video recorder and an Atari video-games setup attached to it. And standing m one corner was a lovely old Wurlitzer jukebox that really worked.

'Down at Gary's, I guess,' Brett added disconsolately.

'Yes, I imagine he's with Gary,' she agreed, which wasn't exactly the same as saying they were together at Gary's house. She had seen the faraway look that had come into Joe's eyes when she had finally struck the deal with him, the deal that had gotten her and her son down here. She hoped Brett wouldn't think of calling directory assistance for Gary Pervier's number, because she doubted if there would he any answer there either. She suspected that there were two old dogs out somewhere tonight howling at the moon.

'Do you think Cuje is okay, Mom?'

'Why, I don't think your father would go off and leave him if he wasn't, she said, and that was true - she didn't believe he would 'Why don't we leave it for tonight and you call him in the morning? You ought to be getting to bed anyway. It's past ten. You've had a big day.'

'I'm not tired.'

'Well, it's not good to go too long on nervous excitement. I put your toothbrush out, and your Aunt Holly put out a washcloth and a towel for you. Do you remember which bedroom -?'

'Yeah, sure. You going to bed, Mom?'

'Soon. I'm going to sit up with Holly for a while. We've got a lot of history to catch up on, she and V

Shyly, Brett said, 'She looks like you. Y'know that?'

Charity looked at him, surprised. 'Does she? Yes, I suppose she does. A little.'

'And that little kid, Jimmy. He's got a real right hook. Pow!' Brett burst out laughing.

'Did he hurt your stomach?'

'Heck, no.' Brett was looking around Jim's study carefully, noting the Underwood typewriter on the desk, the Rolodex, the neat open file of folders with the names on the tabs in alphabetical order. There was a careful, measuring look in his eyes that she couldn't understand or evaluate. He seemed to come back from far away. 'Nah, he didn't hurt me. He's just a Iittle kid.' He cocked his head at her. 'My cousin, right?'

'Right.'

'Blood relation.' He seemed to muse over it.

��Brett, do you like your Uncle Jim and Aunt Holly?'

I like her. I can't tell about him yet. That jukebox. That's really neat. But He shook his head in a kind of impatience.

'What about it, Brett?'

'He takes so much pride in it!' Brett said. 'It was the first thing he showed me, like a kid with a toy, isn't this neat, you know -'

'Well, he's only had it for a little while,' Charity said. An unformed dread had begun to swirl around inside of her, connected somehow with Joe - what had he told Brett when he took him out on the sidewalk? 'Anyone's partial to Something new. Holly wrote me when they finally got it, said Jim had wanted one of those things since he was a young man. People ... honey, different people buy different things to ... to show themselves that they're successful, I suppose. There's no accounting for it. But usually it's something they couldn't have when they were poor.'

'Was Uncle Jim poor?'

'I really don't know,' she said. 'But they're not poor now.'

'All I meant was that he didn't have anything to do with it. You get what I mean?' He looked at her closely. 'He bought it with money and hired some people to fix it and hired some more people to bring it here, and he says it's his, but he didn't ... you know, he didn't ... aw, I don't know.'

'He didn't make it with his own hands?' Although her fear was greater now, more coalesced, her voice was gentle.

'Yeah! That's right! He bought it with money, but he didn't really have nothing to do

��Anything -'

'Okay, yeah, anything to do with it, but now he's, like, takin credit for it -~

'He said a jukebox is a delicate, complicated machine

'Dad could have gotten it running,' Brett said flatly, and Charity thought she heard a door bang shut suddenly, closing with a loud, toneless, frightening bang. It wasn't in the house. It was in her heart. 'Dad would have tinkered it up and it would have been his.'

'Brett,' she said (and her voice sounded weak and justifying to her own ears), 'not everybody is good at tinkering and fixing like your father is.'

'I know that,' he said, still looking around the office. 'Yeah. But Uncle Jim shouldn't take credit for it just because he had the money. See? It's him taking the credit that I don't h -that bothers me.'