here is he now?" Dennis Baker barked.

"There was somebody else he was going to..." Vincent's voice faded.

"Kill?"

The suspect nodded.

"Where?"

"I don't know exactly. He said Midtown, I think. He didn't tell me. Really."

They glanced at Kathryn Dance, who apparently sensed no deception and nodded.

"I don't know whether he's there now or the church."

He gave the address.

Sachs said, "I know it. Closed a while ago."

Sellitto called ESU and had Haumann put together some tactical teams.

"He was going to meet me back in the Village in an hour or so. Near that building in the alley."

Where, Rhyme reflected, Vincent had been going to kill and rape Kathryn Dance. Sellitto ordered unmarked cars stationed near the building.

"Who's the next victim?" Baker asked.

"I don't know. I really don't. He didn't tell me anything about her because..."

"Why?" Dance asked.

"I wasn't going to have anything to do with her."

Do with her...

Rhyme understood. "So you were helping him out and in exchange he'd let you have the victims."

"Only the women," Vincent said quickly, shaking his head in disgust. "Not men. I'm not weird or anything... And only after they were dead, so it wasn't really rape. It's not. Gerald told me that. He looked it up."

Dance and Sellitto seemed unmoved by this but Baker blinked. Sachs was trying to control her temper.

Baker asked, "Why weren't you going to do anything with the next one?"

"Because... he was going to burn her to death."

"Jesus," Baker muttered.

"Is he armed?" Rhyme asked.

Vincent nodded. "He's got a gun. A pistol."

"A thirty-two?"

"I don't know."

"What's he driving?" Sellitto asked.

"It's a dark blue Buick. It's stolen. A couple years old."

"License plates?"

"I don't know. Really. He just stole it."

"Put out an EVL," Rhyme ordered. Sellitto called it in.

Dance leapt in with, "And what else?" She sensed something.

"What do you mean?"

"What about the car upsets you?"

He looked down. "I think he killed the owner. I didn't know he was going to. I really didn't."

"Where?"

"He didn't tell me."

Cooper sent out a request for any reports of recent carjackings, homicides or missing persons.

"And..." Vincent swallowed. His leg was bouncing faintly again.

"What?" Baker asked.

"He killed somebody else too. This college student, I think, a kid. In an alley around the corner from the church, near Tenth Avenue."

"Why?"

"He saw us coming out of the church. Duncan stabbed him and put the body in a Dumpster."

Cooper phoned the local precinct house to check this out.

"Let's have him call Duncan," Sellitto said, nodding at Vincent. "We could trace his mobile."

"His phone won't work. He takes the battery and SIM chip out when we're not actually... you know, working."

Working...

"He said you can't trace it that way."

"Is the phone in his name?"

"No. It's one of those prepaid ones. He buys a new one every few days and throws out the old one."

"Get the number," Rhyme ordered. "Run it with the service providers."

Mel Cooper called the major mobile companies in the area and had several brief conversations. He hung up and reported, "East Coast Communications. Prepaid, like he said. Cash purchase. No way to trace it if the battery's out."

"Hell," Rhyme muttered.

Sellitto's phone rang. Bo Haumann's Emergency Service Unit teams were on their way. They'd be at the church in a few minutes.

"Sounds like that's our only hope," Baker said.

He, Sachs and Pulaski hurried out the door to join the tactical operation. Rhyme, Dance and Sellitto remained in his lab, to try to learn more about Gerald Duncan from Vincent, while Cooper searched databases for any information on him.

"What's his interest in clocks and time and the lunar calendar?" Rhyme asked.

"He collects old clocks and watches. He really was a watchmaker — a hobby, you know. It's not like he has a shop or anything."

Rhyme said, "But he might've worked for one at some point. Find out the professional organization of watchmakers. Collectors too."

Cooper typed on his keyboard. He asked, "America only?"

Dance asked Vincent, "What's his nationality?"

"He's American, I guess. He doesn't have an accent or anything."

After browsing a number of websites Cooper shook his head. "It's a popular business. The big groups seem to be the Geneva Association of Watchmakers, Jewelers and Goldsmiths, the Association Interprofessionnelle de la Haute Horlogerie in Switzerland; the American Watchmakers Institute; the Swiss Association of Watch and Jewelry Retailers, also in Switzerland; the British Association of Watch and Clock Collectors; the British Horological Institute; the Employers' Association of the Swiss Watch Industry; and the Federation of the Swiss Watch Industries... but there're dozens more."

"Send them emails," Sellitto said. "Ask about Duncan. As a watchmaker or collector."

"And Interpol," Rhyme said. Then to Vincent: "How did you meet?"

The man gave a rambling account about a coincidental, innocent meeting. Kathryn Dance listened and in her calm voice asked a few questions and announced that he was being deceptive. "The deal is you play straight with us," she said, leaning forward. Her gaze was cool through her predator glasses.

"Okay, I was just, like, summarizing, you know."

"We don't want summaries," Rhyme growled. "We want to know how the fuck you met him."

The rapist admitted while it was a coincidence, the meeting wasn't so innocent. He gave the details of their initial contact at a restaurant near where Vincent worked. Duncan was checking out one of the men who'd been killed the previous day and Vincent had his eye on a waitress.

What a pair, these two, Rhyme reflected.

Mel Cooper looked up from the computer screen. "Getting some hits here... We've got sixty-eight Gerald Duncans in fifteen midwestern states. I'm running warrants and VICAP first then cross-referencing approximate ages and professions. You can't narrow down the location any more?"

"I would if I could. He never talked about himself."

Dance nodded. She believed him.

Lon Sellitto asked the question that Rhyme had been about to. "We know he's targeting specific victims, checking 'em out ahead of time. Why? What's he up to?"

The rapist answered, "His wife."

"He's married?"

"Was."

"Tell us."

"His wife and him came to New York on vacation a couple years ago. He was at a business dinner somewhere and his wife went to a concert by herself. She was walking back to the hotel on this deserted street and she got hit by a car or truck. The driver took off. She screamed for help but nobody came to save her, nobody even called the police or fire department. The doctor said that she probably lived for ten, fifteen minutes after she was hit. And even somebody who wasn't a doctor could've stopped the bleeding, he said. Just a pressure point or something like that. But nobody helped."

"Run all the hospitals for admissions under the name Duncan, eighteen to thirty-six months ago," Rhyme ordered.

But Vincent said, "Don't bother. Last year he broke into the hospital and stole her chart. The police report too. Bribed a clerk or something. He's been planning this ever since."

"But why's he picking these victims?"

"When the police investigated they got the names of ten people who were nearby when she died. Whether they could have saved her or not, I don't know. But Gerald, he convinced himself they could have. He's spent the past year finding out where they live and what their schedules are. He needed to get them alone so they could die slowly. That's the important thing to him. Like his wife died slowly."

"The man on the pier Tuesday? Is he dead?"

"He's gotta be. Duncan made him hold on and then cut his arms and just stood there watching him until he fell into the river. He said he tried to swim for a while but then he just stopped moving and floated under the pier."

"What was his name?"

"I don't remember. Walter somebody. I didn't help him with the first two. I didn't, really." He glanced at Dance with fear in his eyes.

"What else do you know about Duncan?" she asked.

"That's about it. The only thing he really liked to talk about was time."

"Time? What about it?"

"Anything, everything. The history of time, how clocks work, about calendars, how people sense time differently. He'd tell me, like, the term 'speed up' comes from pendulum clocks. You'd move the weight up on the pendulum to make the clock run faster. 'Slow down' — you moved the weight down to slow it... With anybody else it would've been just boring. But the way he talked about it, well, you kind of got caught up in what he was saying."

Cooper looked up from his computer screen. "We've got a couple of replies from the watchmaker associations. No record of a Gerald Duncan... Wait, here's Interpol... Nothing there either. And I can't find anything in VICAP."

Sellitto's phone rang. He took the call and spoke for a few minutes. He eyed the rapist coolly as he talked. Then he disconnected.

"That was your sister's husband," he said to Vincent.

The man frowned. "Who?"

"Your sister's husband."

Vincent shook his head. "No, you must've talked to the wrong person. My sister's not married."

"Yes, she is."

The rapist's eyes were wide. "Sally Anne's married?"

With a disgusted glance at Vincent, Sellitto said to Rhyme and Dance, "She was too upset to return the call herself. Her husband did. Thirteen years ago he locked her in the basement of their house for a week while their mother and stepfather were on their honeymoon. His own sister... He tied her down and sexually assaulted her repeatedly. He was fifteen, she was thirteen. He did juvie time and was released after counseling. Records were sealed. That's why we had no hits on IAFIS."

"Married," Vincent whispered, ashen-faced.

"She's been treated for depression and eating disorders ever since. He was caught stalking her a dozen times, so she got a restraining order. The only contact between them in the past three years is letters he's been sending."

"He's been threatening her?" Dance asked.

Sellitto muttered, "Nope. They're love letters. He wanted her to move here and live with him."

"Oh, man," muttered the unflappable Mel Cooper.

"Sometimes he'd write recipes in the margins. Sometimes he'd draw porn cartoons. The brother-in-law said if there's anything they can do to make sure he stays in jail forever, they'll do it." Sellitto looked at the two patrol officers standing behind Vincent. "Get him out of here."

The officers helped the big man to his feet and they started out the door. Vincent Reynolds could hardly walk, he was so shaken. "How could Sally Anne get married? How could she do this to me? We were going to be together forever... How could she?"