hapter 36

Officers Pembry and Boyle were experienced men brought especially from Brushy Mountain State Prison to be Dr. Lecter's warders. They were calm and careful and did not feel they needed their job explained to them by Dr. Chilton.

They had arrived in Memphis ahead of Lecter and examined the cell minutely. When Dr. Lecter was brought to the old courthouse, they examined him as well. He was subjected to an internal body search by a male nurse while, he was still in restraints. His clothing was searched thoroughly and a metal detector run over the seams.

Boyle and Pembry came to an understanding with him, speaking in low, civil tones close to his ears as he was examined.

"Dr. Lecter, we can get along just fine. We'll treat you just as good as you treat us. Act like a gentleman and you get the Eskimo Pie. But we're not pussyfooting around with you, buddy. Try to bite, and we'll leave you smooth-mouthed. Looks like you got something good going here. You don't want to fuck it up, do you?"

Dr. Lecter crinkled his eyes at them in a friendly fashion. If he had been inclined to reply he would have been prevented by the wooden peg between his molars as the nurse shined a flashlight in his mouth and ran a gloved finger into his cheeks.

The metal detector beeped at his cheeks.

"What's that?" the nurse asked.

"Fillings," Pembry said. "Pull his lip back there. You've put some miles on them back ones, haven't you, Doc?"

"Strikes me he's pretty much of a broke-dick," Boyle confided to Pembry after they had Dr. Lecter secure in his cell. "He won't be no trouble if he don't flip out."

The cell, while secure and strong, lacked a rolling food carrier. At lunchtime, in the unpleasant atmo¬sphere that followed Starling's visit, Dr. Chilton incon¬venienced everyone, making Boyle and Pembry go through the long process of securing the compliant Dr. Lecter in the straitjacket and leg restraints as he stood with his back to the bars, Chilton poised with the Mace, before they opened the door to carry in his tray.

Chilton refused to use Boyle's and Pembry's names, though they wore nameplates, and addressed them in¬discriminately as "you, there."

For their part, after the warders heard Chilton was not a real M.D., Boyle observed to Pembry that he was just "some kind of a God damned schoolteacher."

Pembry tried once to explain to Chilton that Star¬ling's visit had been approved not by them but by the desk downstairs, and saw that in Chilton's anger it didn't matter.

Dr. Chilton was absent at supper and, with Dr. Lecter's bemused cooperation, Boyle and Pembry used their own method to take in his tray. It worked very well.

"Dr. Lecter, you not gonna be needing your dinner jacket tonight," Peinbry said. "I'll ask you to sit on the floor and scoot backwards till you can just stick your hands out through the bars, arms extended backward. There you go. Scoot up a little and straighten 'em out more behind you, elbows straight." Pembry hand-cuffed Dr. Lecter tightly outside the bars, with a bar between his arms, and a low crossbar above them. "That hurts just a little bit, don't it? I know it does and they won't be on there but a minute, save us both a lot of trouble."

Dr. Lecter could not rise, even to a squat, and with his legs straight in front of him on the floor, he couldn't kick.

Only when Dr. Lecter was pinioned did Pembry re¬turn to the desk for the key to the cell door. Pembry slid his riot baton in the ring at his waist, put a canister of Mace in his pocket, and returned to the cell. He opened the door while Boyle took in the tray. When the door was secured, Pembry took the key back to the desk before he took the cuffs off Dr. Lecter. At no time was he near the bars with the key while the doctor was free in the cell.

"Now that was pretty easy, wasn't it?" Pembry said.

"It was very convenient, thank you, Officer," Dr. Lecter said. "You know, I'm just trying to get by."

"We all are, brother," Pembry said.

Dr. Lecter toyed with his food while he wrote and drew and doodled on his pad with a felt-tipped pen. He flipped over the cassette in the tape player chained to the table leg and punched the play button. Glenn Gould playing Bach's Goldberg Variations on the piano. The music, beautiful beyond plight and time, filled the bright cage and the room where the warders sat.

For Dr. Lecter, sitting still at the table, time slowed and spread as it does in action. For him the notes of music moved apart without losing tempo. Even Back's silver pounces were discrete notes glittering off the steel around him. Dr. Lecter rose, his expression ab¬stracted, and watched his paper napkin slide off his thighs to the floor. The napkin was in the air a long time, brushed the table leg, flared, sideslipped, stalled and turned over before it came to rest on the steel floor. He made no effort to pick it up, but took a stroll across his cell, went behind the paper screen and sat on the lid of his toilet, his only private place. Listening to the music, he leaned sideways on the sink, his chin in his hand, his strange maroon eyes half-closed. The Goldberg Variations interested him structurally. Here it came again, the bass progression from the saraband repeated, repeated. He nodded along, his tongue moving over the edges of his teeth. All the way around on top, all the way around on the bottom. It was a long and interest¬ing trip for his tongue, like a good walk in the Alps.

He did his gums now, sliding his tongue high in the crevice between his cheek and gum and moving it slowly around as some men do when ruminating. His gums were cooler than his tongue. It was cool up in the crevice. When his tongue got to the little metal tube, it stopped.

Over the music he heard the elevator clank and whir as it started up. Many notes of music later, the elevator door opened and a voice he did not know said, "I'm s'posed to get the tray."

Dr. Lecter heard the smaller one coming, Pernbry. He could see through the crack between the panels in his screen. Pembry was at the bars.

"Dr. Lecter. Come sit on the floor with your back to the bars like we did before."

"Officer Pembry, would you mind if I just finish up here? I'm afraid my trip's gotten my digestion a little out of sorts." It took a very long time to say.

"All right." Pembry calling down the room, "We'll call down when we got it."

"Can I look at him?"

"We'll call you."

The elevator again and then only the music.

Dr. Lecter took the tube from his mouth and dried it on a piece of toilet tissue. His hands were steady, his palms perfectly dry.

In his years of detention, with his unending curios¬ity, Dr. Lecter had learned many of the secret prison crafts. In all the years after he savaged the nurse in the Baltimore asylum, there had been only two lapses in the security around him, both on Barney's days off. Once a psychiatric researcher loaned him a ballpoinf pen and then forgot it. Before the man was out of the ward, Dr. Lecter had broken up the plastic barrel of the pen and flushed it down his toilet. The metal ink tube went in the rolled seam edging his mattress.

The only sharp edge in his cell at the asylum was a burr on the head of a bolt holding his cot to the wall. It was enough. In two months of rubbing, Dr. Lecter cut the required two incisions, parallel and a quarter-inch, long, running along the tube from its open end. Then he cut the ink tube in two pieces one inch from the open end and flushed the long piece with the point down the toilet. Barney did not spot the calluses on his fingers from the nights of rubbing.

Six months later, an orderly left a heavy-duty paper clip on some documents sent to Dr. Letter by his attor¬ney. One inch of the steel clip went inside the tube and the rest went down the toilet. The little tube, smooth and short, was easy to conceal in seams of clothing, between the cheek and gum, in the rectum.

Now, behind his paper screen, Dr. Letter tapped the little metal tube on his thumbnail until the wire inside it slipped out. The wire was a tool and this was the difficult part. Dr. Lecter stuck the wire halfway into the little tube and with infinite care used it as a lever to bend down the strip of metal between the two inci-sions. Sometimes they break. Carefully, with his powerful hands, he bent the metal and it was coming. Now. The minute strip of metal was at right angles to the tube. Now, he had a handcuff key.

Dr. Lecter put his hands behind him and passed the key back and forth between them fifteen times. He put the key back in his mouth while he washed his hands and meticulously dried them. Then, with his tongue, he hid the key between the fingers of his right hand, knowing Pembry would stare at his strange left hand when it was behind his back.

"I'm ready when you are, Officer Pembry," Dr. Lecter said. He sat on the floor of the cell and stretched his arms behind him, his hands and wrists through the bars. "Thank you for waiting." It seemed a long speech, but it was leavened by the music.

He heard Pembry behind him now. Pembry felt his wrist to see if he had soaped it. Pembry felt his other wrist to see if he had soaped it. Pembry put the cuffs on tight. He went back to the desk for the key to the cell. Over the piano, Dr. Lecter heard the clink of the key ring as Pembry took it from the desk drawer. Now he was coming back, walking through the notes, part¬ing the air that swarmed with crystal notes. This time Boyle came back with him. Dr. Lecter could hear the holes they made in the echoes of the music.

Pembry checked the cuffs again. Dr. Lecter could smell Petnbry's breath behind him. Now Pembry un¬locked the cell and swung the door open. Boyle came in. Dr. Lecter turned his head, the cell moving by his vision at a rate that seemed slow to him, the details wonderfully sharp--- Boyle at the table gathering the scattered supper things onto the tray with a clatter of annoyance at the mess. The tape player with its reels turning, the napkin on the floor beside the bolted-¬down leg of the table. Through the bars, Dr. Lecter saw in the corner of his eye the back of Pembry's knee, the tip of the baton hanging from his belt as he stood outside the cell holding the door.

Dr. Lecter found the keyhole in his left cuff, inserted the key and turned it. He felt the cuff spring loose on his wrist. He passed the key to his left hand, found the keyhole, put in the key and turned it.

Boyle bent for the napkin on the floor. Fast as a snapping turtle the handcuff closed on Boyle's wrist and as he turned his rolling eye to Lecter the other cuff locked around the fixed leg of the table. Dr. Lecter's legs under him now, driving to the door, Pembry trying to come from behind it and Lecter's shoulder drove the iron door into him, Pembry going for the Mace in his belt, his arm mashed to his body by the door. Lecter grabbed the long end of the baton and lifted. With the leverage twisting Pembry's belt tight around him, he hit Pembry in the throat with his elbow and sank his teeth in Pembry's face. Pembry trying to claw at Lecter, his nose and upper lip caught between the tearing teeth. Lecter shook his head like a rat-killing dog and pulled the riot baton from Pembry's belt. In the cell Boyle bellowing now, sitting on the floor, digging desperately in his pocket for his handcuff key, fumbling, dropping it, finding it again. Lecter drove the end of the baton into Pembry's stomach and throat and he went to his knees. Boyle got the key in a lock of the hand¬cuffs, he was bellowing, Lecter coming to him now. Lecter shut Boyle up with a shot of the Mace and as he wheezed, cracked his upstretched arm with two blows of the baton. Boyle tried to get under the table, but blinded by the Mace he crawled the wrong way and it was easy, with five judicious blows, to beat him to death.

Pembry had managed to sit up and he was crying. Dr. Lecter looked down at him with his red smile. "I'm ready if you are, Officer Pembry," he said.

The baton, whistling in a flat arc, caught Pembry pock on the back of the head and he shivered out straight like a clubbed fish.

Dr. Lecter's pulse was elevated to more than one hundred by the exercise, but quickly slowed to normal. He turned off the music and listened.

He went to the stairs and listened again. He turned out Pembry's pockets, got the desk key and opened all its drawers. In the bottom drawer were Boyle's and Pembry's duty weapons, a pair of .38 Special revolvers. Even better, in Boyle's pocket he found a pocket knife.

Chapter 37

The lobby was full of po¬licemen. It was 6:30 P.M. and the police at the outside guard posts had just been relieved at their regular two-hour interval. The men coming into the lobby from the raw evening warmed their hands at several electric heaters. Some of them had money down on the Memphis State basketball game in progress and were anxious to know how it was going.

Sergeant Tate would not allow a radio to be played aloud in the lobby, but one officer had a Walkman plugged in his ear. He reported the score often, but not often enough to suit the bettors.

In all there were fifteen armed policemen in the lobby plus two Corrections officers set to relieve Pembry and Boyle at 7:00 P.M. Sergeant Tate himself was looking forward to going off duty with the eleven-¬to-seven shift.

All posts reported quiet. None of the nut calls threat¬ening Lecter had come to anything.

At 6:45, Tate heard the elevator start up. He saw the bronze arrow above the door begin to crawl around the dial. It stopped at five.

Tate looked around the'lobby. "Did Sweeney go up for the tray?"

"Naw, I'm here, Sarge. You mind calling, see if they're through? I need to get going."

Sergeant Tate dialed three digits and listened. "Phone's busy," he said. "Go ahead up and see." He turned back to the log he was completing for the eleven-to-seven shift.

Patrolman Sweeney pushed the elevator button. It didn't come.

"Had to have lamb chops tonight, rare," Sweeney said. "What you reckon he'll want for breakfast, some fuck¬ing thing from the zoo? And who'll have to catch it for him? Sweeney."

The bronze arrow above the door stayed on five.

Sweeney waited another minute. "What is this shit?" he said.

The .38 boomed somewhere above them, the reports echoing down the stone stairs, two fast shots and then a third.

Sergeant Tate, on his feet at the third one, micro¬phone in his hand. "CP, shots fired upstairs at the tower. Outside posts look sharp. We're going up."

Yelling, milling in the lobby.

Tate saw the bronze arrow of the elevator moving then. It was already down to four. Tate roared over the racket, "Hold it! Guard mount double up at your out¬side posts, first squad stays with me. Berry and Howard cover that fucking elevator if it comes---" The needle stopped at three.

"First squad, here we go. Don't pass a door without checking it. Bobby, outside--- get a shotgun and the vests and bring 'em up."

Tate's mind was racing on the first flight of stairs. Caution fought with the terrible need to help the of¬ficers upstairs. God don't let him be out Nobody weasing vests, shit. Fucking Corrections screws.

The offices on two, three and four were supposed to be empty and locked. You could get from the tower to the main building on those floors, if you went through the offices. You couldn't on five.

Tate had been to the excellent Tennessee SWAT school and he knew how to do it. He went first and took the young ones in hand. Fast and careful they took the stairs, covering each other from landing to landing.

"You turn your back on a door before you check it, I'll ream your ass."

The doors off the second-floor landing were dark and locked.

Up to three now, the little corridor dim. One rectan¬gle of light on the floor from the open elevator car. Tate moved down the wall opposite the open elevator, no mirrors in the car to help him. With two pounds' pres¬sure on a nine-pound trigger, he looked inside the car. Empty.

Tate yelled up the stairs, "Boyle! Pembry! Shit." He posted a man on three and moved up.

Four was flooded with the music of the piano coming from above. The door into the offices opened at a push. Beyond the offices, the beam of the long flashlight shined on a door open wide into the great dark building beyond.

"Boyle! Pembry!" He left two on the landing. "Cover the door. Vests are coming. Don't show your ass in that doorway."

Tate climbed the stone stairs into the music. At the top of the tower now, the fifth-floor landing, light dim in the short corridor. Bright light through the frosted glass that said SHELBY COUNTY HISTORICAL SOCIETY.

Tate moved low beneath the door glass to the side opposite the hinges. He nodded to Jacobs on the other side, turned the knob and shoved hard, the door swing¬ing all the way back hard enough for the glass to shatter, Tate inside fast and out of the doorframe, covering the room over the wide sights of his revolver.

Tate had seen many things. He had seen accidents beyond reckoning, fights, murders. He had seen six dead policemen in his time. But he thought that what lay at his feet was the worst thing he had ever seen happen to an officer. The meat above the uniform collar no longer resembled a face. The front and top of the head were a slick of blood peaked with torn flesh and a single eye was stuck beside the nostrils, the sockets full of blood.

Jacobs passed Tate, slipping on the bloody floor as he went in to the cell. He bent over Boyle, still handcuffed to the table leg. Boyle partly, eviscerated, his face hacked to pieces, seemed to have exploded blood in the cell, the walls and the stripped cot covered with gouts and splashes.

Jacobs put his fingers on the neck. "This one's dead," he called over the music. "Sarge?"

Tate, back at himself, ashamed of a second's lapse, and he was talking into his radio. "Command post, two officers down. Repeat, two officers down. Prisoner is missing. Lecter is missing. Outside posts watch the windows, subject has stripped the bed, he may be mak¬ing a rope. Confirm ambulances en route."

"Pembry dead, Sarge?" Jacobs shut the music off.

Tate knelt and as he reached for the neck to feel, the awful thing on the floor groaned and blew a bloody bubble.

"Pembry's alive." Tate didn't want to put his mouth in the bloody mess, knew he would if he had to help Pembry breathe, knew he wouldn't make one of the patrolmen do it. Better if Pembry died, but he would help him breathe. But there was a heartbeat, he found it, there was breathing. It was ragged and gurgling but it was breathing. The ruin was breathing on its own.

Tate's radio crackled. A patrol lieutenant set up on the lot outside took command and wanted news. Tate had to talk.

"Come here, Murray," Tate called to a young patrol¬man. "Get down here with Pembry and take ahold of him where he can feel your hands on him. Talk to him.

"What's his name, Sarge?" Murray was green.

"It's Pembry, now talk to him, God dammit." Tate on the radio. "Two officers down, Boyle's dead and Pembry's bad hurt. Lecter's missing and armed--- he took their guns. Belts and holsters are on the desk."

The lieutenant's voice was scratchy through the thick walls. "Can you confirm the stairway clear for stretchers?"

"Yes sir. Call up to four before they pass. I have men on every landing."

"Roger, Sergeant. Post Eight out here thought he saw some movement behind the windows in the main building on four. We've got the exits covered, he's not getting out. Hold your positions on the landings. SWAT's rolling. We're gonna let SWAT flush him out. Confirm."

"I understand. SWAT's play."

"What's he got?"

"Two pistols and a knife, Lieutenant--- Jacobs, see if there's any ammo in the gunbelts."

"Dump pouches," the patrolman said. "Pembry's still full, Boyle's too. Dumb shit didn't take the extra rounds."

"What are they?"

"Thirty-eight +Ps JHP."

Tate was back on the radio. "Lieutenant, it looks like he's got two six-shot .38s. We heard three rounds fired and the dump pouches on the gunbelts are still full, so he may just have nine left. Advise SWAT it's +Ps jacketed hollowpoints. This guy favors the face."

Plus Ps were hot rounds, but they would not penetrate SWATs body armor. A hit in the face would very likely be fatal, a hit on a limb would maim.

"Stretchers coming up, Tate."

The ambulances were there amazingly fast, but it did not seem fast enough to Tate, listening to the pitiful thing at his feet. Young Murray was trying to hold the groaning, jerking body, trying to talk reassuringly and not look at him, and he was saying, "You're just fine, Pembry, looking good," over and over in the same sick tone.

As soon as he saw the ambulance attendants on the landing, Tate yelled, "Corpsman!" as he had in war.

He got Murray by the shoulder and moved him out of the way. The ambulance attendants worked fast, expertly securing the clenched, blood-slick fists under the belt, getting an airway in and peeling a nonstick surgical bandage to get some pressure on the bloody face and head. One of them popped an intravenous plasma pack, but the other, taking blood pressure and pulse, shook his head and said, "Downstairs."

Orders on the radio now. "rate, I want you to clear the offices in the tower and seal it off. Secure the doors from the main building. Then cover from the landings. I'm sending up vests and shotguns. We'll get him alive if he wants to come, but we take no special risks to preserve his life. Understand me?"

"I got it, Lieutenant."

"I want SWAT and nobody but SWAT in the main building. Let me have that back."

Tate repeated the order.

Tate was a good sergeant and he showed it now as he and Jacobs shrugged into their heavy armored vests and followed the gurney as the orderlies carried it down the stairs to the ambulance. A second crew fol¬lowed with Boyle. The men on the landings were angry, seeing the gurneys pass, and Tate had a word of wisdom for them: "Don't let your temper get your ass shot off."

As the sirens wailed outside, Tate, backed by the veteran Jacobs, carefully cleared the offices and sealed off the tower.

A cool draft blew down the hall on four. Beyond the door, in the vast dark spaces of the main building, the telephones were ringing. In dark offices all over the building, buttons on telephones were winking like fireflies, the bells sounding over and over.

The word was out that Dr. Lecter was "barricaded" in the building, and radio and television reporters were calling, dialing fast with their modems, trying to get live interviews with the monster. To avoid this, SWAT usually has the telephones shut off, except for one that the negotiator uses. This building was too big, the of¬fices too many.

Tate closed and locked the door on the rooms of blinking telephones. His chest and back were wet and itching under the hardshell vest.

He took his radio off his belt. "CP, this is Tate, the towers clear, over."

"Roger, Tate. Captain wants you at the CP."

"Ten-four. Tower lobby, you there?"

"Here, Sarge."

"It's me on the elevator, I'm bringing it down."

"Gotcha, Sarge."

Jacobs and Tate were in the elevator riding down to the lobby when a drop of blood fell on Tate's shoulder. Another hit his shoe.

He looked at the ceiling of the car, touched Jacobs, motioning for silence.

Blood was dripping from the crack around the ser¬vice hatch in the top of the car. It seemed a long ride down to the lobby. Tate and Jacobs stepped off back¬wards, guns pointed at the ceiling of the elevator. Tate reached back in and locked the car.

"Shhhh, " Tate said in the lobby. Quietly, "Berry, Howard, he's on the roof of the elevator. Keep it cov¬ered."

Tate went outside. The black SWAT van was on the lot. SWAT always had a variety of elevator keys.

They were set up in moments, two SWAT officers in black body armor and headsets climbing the stairs to the third-floor landing. With Tate in the lobby were two more, their assault rifles pointed at the elevator ceiling.

Like the big ants that fight, Tate thought.

The SWAT commander was talking into his headset. "Okay, Johnny."

On the third floor, high above the elevator, Officer Johnny Peterson turned his key in the lock and the elevator door slid open. The shaft was dark. Lying on his back in the corridor, he took a stun grenade from his tactical vest and put it on the floor beside him. "Okay, I'll take a look now."

He took out his mirror with its long handle and stuck it over the edge while his partner shined a powerful flashlight down the shaft.

"I see him. He's on top of the elevator. I see a weapon beside him. He's not moving."

The question in Peterson's earphone, "Can you see his hands?"

"I see one hand, the other one's under him. He's got the sheets around him."

"Tell him."

"PUT YOUR HANDS ON TOP OF YOUR HEAD AND FREEZE," Peterson yelled down the shaft. "He didn't move, Lieutenant... Right."

"IF YOU DON'T PUT YOUR HANDS ON TOP OF YOUR HEAD I'LL DROP A STUN GRENADE ON YOU. I'LL GIVE YOU THREE SECONDS," Peterson called. He took from his vest one of the doorstops every SWAT officer carries. "OKAY, GUYS, WATCH OUT DOWN THERE--- HERE COMES THE GRENADE." He dropped the doorstop over the edge, saw it bounce on the figure. "He didn't move, Lieutenant."

"Okay, Johnny, we're gonna push the hatch up with a pole from outside the car. Can you get the drop?"

Peterson rolled over. His .45 automatic, cocked and locked, pointed straight down at the figure. "Got the drop," he said.

Looking down the elevator shaft, Peterson could see the crack of light appear below as the officers in the foyer pushed up on the hatch with a SWAT boathook. The still figure was partly over the hatch and one of the arms moved as the officers pushed from below.

Peterson's thumb pressed a shade harder on the safety of the Colt. "His arm moved, Lieutenant, but I think it's just the hatch moving it."

"Roger. Heave."

The hatch banged backward and lay against the wall of the elevator shaft. It was hard for Peterson to look down into the light. "He hasn't moved. His hand's not on the weapon."

The calm voice in his ear, "Okay, Johnny, hold up. We're coming into the car, so watch. with the mirror for movement. Any fire will come from us. Affirm?"

"Got it."

In the lobby, Tate watched them go into the car. A rifleman loaded with armor-piercing aimed his weapon at the ceiling of the elevator. A second officer climbed on a ladder. He was armed with a large automatic pistol with a flashlight clamped beneath it. A mirror and the pistol-light went up through the hatch. Then the of¬ficer's head and shoulders. He handed down a .38 re¬volver. "He's dead," the officer called down.

Tate wondered if the death of Dr. Lecter meant Catherine Martin would die too, all the information lost when the lights went out in that monster mind.

The officers were pulling him down now, the body coming upside down through the elevator hatch, eased down into many arms, an odd deposition in a lighted box. The lobby was filling up, policemen crowding up to see.

A corrections officer pushed forward, looked at the body's outflung tattooed arms.

"That's Pembry," he said.