raised be the Lord," said the priest and placed the candlestick on the table. Goldmund murmured the response, staring straight ahead.

The priest said nothing. He waited and said nothing, until Goldmund grew restless and searchingly raised his eyes to the man in front of him.

This man, he now saw to his confusion, was not only wearing the habit of the fathers of Mariabronn, he also wore the insignia of the office of Abbot.

And now he looked into the Abbot's face. It was a bony face, firmly, clearly cut, with very thin lips. It was a face he knew. As though spellbound, Goldmund looked into this face that seemed completely formed by mind and will. With unsteady hand he reached for the candlestick, lifted it and held it closer to the stranger, to see his eyes. He saw them and the candlestick shook in his hand as he put it back on the table.

"Narcissus!" he whispered almost inaudibly. The cellar began to spin around him.

"Yes, Goldmund, I used to be Narcissus, but I abandoned that name a long time ago; you've probably forgotten. Since the day I took the vows, my name has been John."

Goldmund was shaken to the roots of his being. The whole world had changed, and the sudden collapse of his superhuman effort threatened to choke him. He trembled; dizziness made his head feel like an empty bladder; his stomach contracted. Behind his eyes something burned like scalding sobs. He longed to sink into himself, to dissolve in tears, to faint.

But a warning rose from the depths of the memories of his youth, the memories that the sight of Narcissus had conjured up: once, as a boy, he had cried, had let himself go in front of this beautiful, strict face, these dark omniscient eyes. He could never do that again. Like a ghost, Narcissus had reappeared at the strangest moment of his life, probably to save his life—and now he was about to break into sobs in front of him again, or faint? No, no, no. He controlled himself. He subdued his heart, forced his stomach to be calm, willed the dizziness out of his head. He could not show any weakness now.

In an artificially controlled voice, he managed to say: "You must permit me to go on calling you Narcissus."

"Do, my friend. And don't you want to shake my hand?"

Again Goldmund dominated himself. With a boyishly stubborn, slightly ironic tone, like the one he had occasionally taken in his student days, he forced out an answer.

"Forgive me, Narcissus," he said coldly and a trifle blasé. "I see that you have become Abbot. But I'm still a vagrant. And besides, our conversation, as much as I desire it, won't unfortunately last very long. Because, Narcissus, I've been sentenced to the gallows, and in an hour, or sooner, I'll probably be hanged. I say this only to clarify the situation for you."

Narcissus's expression did not change. He was much amused by the boyish boasting streak in his friend's attitude and at the same time touched. But he understood and keenly appreciated the pride that kept Goldmund from collapsing tearfully against his chest. He, too, had imagined their reunion differently, but he had no objection whatsoever to this little comedy. Goldmund could not have charmed his way back into his heart any faster.

"Well yes," he said, with the same pretended casualness. "But I can reassure you about the gallows. You've been pardoned. I have been sent to tell you that, and to take you away with me. Because you cannot remain in this city. So we'll have plenty of time to chat with each other. Now will you shake my hand?"

They shook hands, holding on for a long time, pressing hard and feeling deeply moved, but their words stayed brittle and playful for a while longer.

"Fine, Narcissus, let's leave this scarcely honorable retreat, and I'll join your retinue. Are you traveling back to Mariabronn? You are. Wonderful. How? On horseback? Splendid. Then it will be a question of getting a horse for me."

"We'll get a horse for you, amicus, and in two hours we'll be on our way. Oh, but what happened to your hands! For heaven's sake, they are completely raw and swollen, and bleeding! Oh, Goldmund, what have they done to you!"

"Never mind, Narcissus. I did that to my hands myself. They had tied me up and I had to get free. It wasn't easy. Besides, it was rather courageous of you to come in here without an escort."

"Why courageous? There was no danger."

"Oh, only the slight danger of being murdered by me. Because that's what I had planned to do. They had told me a priest would come. I'd have murdered him and fled in his robes. A good plan."

"You didn't want to die then? You wanted to fight?"

"Indeed I did. Of course I could hardly guess that the priest would be you."

"Still," Narcissus said hesitantly, "that was a rather ugly plan. Would you really have been capable of murdering a priest who'd come to confess you?"

"Not you, Narcissus, of course, and probably no priest who wore the habit of Mariabronn. But any other kind of priest, yes, I assure you." Suddenly his voice grew sad and dark. "It would not have been the first man I've murdered."

They were silent. Both felt embarrassed.

"Well, we'll talk about that some other time," Narcissus said in a cool voice. "You can confess to me some day, if you feel like it. Or you can tell me about your life. I, too, have this and that to tell you. I'm looking forward to it. Shall we go?"

"One moment more, Narcissus! I just remembered something: I did call you John once before."

"I don't understand."

"No, of course you don't. How could you? It happened quite a number of years ago. I gave you the name John and it will be your name forever. I was for a time a carver and a sculptor, and I think I'd like to become one again. The first statue I carved in those days was a wooden, life-size disciple with your face, but its name is not Narcissus, it is John, a St. John under the cross."

He rose and walked to the door.

"So you did think of me?" Narcissus asked softly. Goldmund answered just as softly: "Oh yes, Narcissus, I have thought of you. Always, always."

He gave the heavy cellar door a strong push, and the fallow morning looked in. They spoke no more. Narcissus took him to his guest chamber. There a young monk, his companion, was busy readying the baggage. Goldmund was given food, and his hands washed and bandaged. Soon the horses were brought out.

Mounting, Goldmund said: "I have one more request. Let us pass by the fish market; I have an errand there."

They rode off and Goldmund looked up at every castle window to see if Agnes might perhaps be visible. He did not see her. They rode to the fish market; Marie had worried a great deal about him. He bade farewell to her and to her parents, thanked them a thousand times, promised to come back one day, and rode off. Marie stood in the doorway of her house until the riders were out of sight. Slowly she limped back inside.

They rode four abreast: Narcissus, Goldmund, the young monk, and an armed groom.

"Do you still remember my little horse Bless?" Goldmund asked. "He was in your stable at the cloister."

"Certainly. But you won't find him there any more, and you probably didn't expect to. It's been at least seven or eight years since we had to do away with him."

"And you remember that?"

"Oh yes, I remember."

Goldmund was not sad about Bless's death. He was glad that Narcissus knew so much about Bless, Narcissus who had never cared about animals and probably had never known another cloister horse by name. That made him very glad.

"With all the people in your cloister," he began again, "you'll laugh at me for asking first about that poor little horse. It wasn't nice of me. Actually I had wanted to ask about something else entirely, about our Abbot Daniel. But I suppose that he is dead since you are his successor. And I didn't intend to speak only of death to begin with. I'm not well inclined toward death at the moment, because of last night, and also because of the plague, of which I saw altogether too much. But now that we're on the subject, and since we'll have to speak about it some time, tell me when and how Abbot Daniel died. I revered him very much. And tell me also if Father Anselm and Father Martin are still alive. I'm prepared for the worst. But I'm glad the plague spared you at least. I never imagined that you might have died; I firmly believed that we would meet again. But belief can deceive, as I was unfortunate enough to learn by experience. I could not imagine that my master Niklaus, the image carver, would be dead either; I counted on seeing him again and working with him again. Nevertheless, he was dead when I got there."

"All is quickly told," said Narcissus. "Abbot Daniel died eight years ago, without illness or pain. I am not his successor; I've been Abbot only for a year. Father Martin was his successor, the former head of our school. He died last year; he was almost seventy. And Father Anselm is no longer with us either. He was fond of you, he often spoke of you. During his last years he could no longer walk at all, and lying in bed was a great torture to him; he died of dropsy. Yes, and we too had the plague; many died. Let's not speak of it. Have you any other questions?"

"Certainly, many more. Most of all: how do you happen to be here in the bishop's city at the governor's palace?"

"That is a long story, and you'd be bored with it; it is a matter of politics. The count is a favorite of the Emperor and his executor in many matters, and at this moment there are many things to be set to rights between the Emperor and our religious order. I was one of the delegates sent to treat with the count. Our success was small."

He fell silent and Goldmund asked nothing more. He had no need to know that last night, when Narcissus had pleaded for Goldmund's life, that life had been paid for with a number of concessions to the ruthless count.

They rode; Goldmund soon felt tired and had difficulty staying in the saddle.

After a long while Narcissus asked: "But is it true that you were arrested for theft? The count said you had sneaked into the inner rooms of the castle, where you were caught stealing."

Goldmund laughed. "Well, it really looked as though I were a thief. But I had a meeting with the count's mistress; he doubtless knew that, too. I'm surprised that he let me go at all."

"Well, he wasn't above a little bargaining."

They could not cover the distance they had set themselves for that day. Goldmund was too exhausted; his hands could no longer hold the reins. They took rooms in a village for the night; he was put to bed running a slight fever, and they kept him in bed the next day, too. But then he was strong enough to ride on. Soon his hands were healed and he began to enjoy riding. How long since he had last ridden! He came to life again, grew young and animated, rode many a race with the groom, and during hours of conversation assaulted his friend Narcissus with hundreds of impatient questions. Calmly, yet joyously, Narcissus responded. Again he was charmed by Goldmund. He loved these vehement, childlike questions, all asked with unlimited confidence in his own ability to answer them.

"One question, Narcissus: did you also burn Jews?"

"Burn Jews? How could we? There are no Jews where we are."

"All right. But tell me: would you be capable of burning Jews? Can you imagine such a possibility?"

"No, why should I? Do you take me for a fanatic?"

"Understand me, Narcissus. I mean: can you imagine that, in certain circumstances, you might give the order to kill Jews, or consent to their being killed? So many dukes, mayors, bishops, and other authorities did give such orders."

"I would not give an order of that kind. On the other hand it is conceivable that I might have to witness and tolerate such cruelty."

"You'd tolerate it then?"

"Certainly, if I had no power to prevent it. You probably saw some Jews being burned, didn't you, Goldmund?"

"I did."

"Well, and did you prevent it? You didn't. You see."

Goldmund told the story of Rebekka in great detail; he grew hot and passionate in telling it.

"And so," he concluded violently, "what is this world in which we are made to live? Is it not hell? Is it not revolting and disgusting?"

"Certainly, that's how the world is."

"Ah!" Goldmund cried with indignation. "And how often you told me that the world was divine, that it was a great harmony of circles with the Creator enthroned in its midst, that what existed was good, and so forth. You told me Aristotle had said so, or Saint Thomas. I'm eager to hear you explain the contradiction."

Narcissus laughed.

"Your memory is surprising, and yet it has deceived you slightly. I have always adored our Creator as perfect, but never his creation. I have never denied the evil in the world. No true thinker has ever affirmed that life on earth is harmonious and just, or that man is good, my dear friend. On the contrary. The Holy Bible expressly states that the strivings and doings of man's heart are evil, and every day we see this confirmed anew."

"Very good. At last I see what you learned men mean. So man is evil, and life on earth is full of ugliness and trickery—you admit it. But somewhere behind all that, in your thoughts and books, justice and perfection exist. They exist, they can be proved, but only if they are never put to use."

"You have stored up a great deal of anger against us theologians, dear friend! But you have still not become a thinker; you've got it all topsy-turvy. You still have a few things to learn. But why do you say we don't put justice to use? We do that every day, every hour. I, for instance, am an abbot and I govern a cloister. Life in this cloister is just as imperfect and full of sin as it is in the world outside. And yet we constantly set the idea of justice against original sin and try to measure our imperfect lives by it and try to correct evil and put ourselves in everlasting relationship with God."

"All right, Narcissus. I don't mean you, nor did I mean that you were not a good abbot. But I'm thinking of Rebekka, of the burned Jews, the mass burials, the Great Death, of the alleys and rooms full of stinking corpses, of all the gruesome looting, the haggard, abandoned children, of dogs starved to death on their chains—and when I think of all that and see these images before me, then my heart aches and it seems to me that our mothers have borne us into a hopeless, cruel, devilish world, and that it would be better if they had never conceived, if God had not created this horrible world, if the Saviour had not let himself be nailed to the cross in vain."

Narcissus gave Goldmund a friendly nod.

"You are quite right," he said warmly. "Go ahead, say it all, get it all out. But in one thing you are quite wrong: you think that the things you have said are thoughts. But actually they are feelings. They are the feelings of a man preoccupied with the horror of life, and you must not forget that these sad, desperate emotions are balanced by completely different ones! When you feel happy on a horse, riding through a pretty landscape, or when you sneak somewhat recklessly into a castle at night to court a count's mistress, then the world looks altogether different to you, and no plague-stricken house or burned Jew can prevent you from fulfilling your desire. Is that not so?"

"Certainly that is so. Because the world is so full of death and horror, I try again and again to console my heart and to pick the flowers that grow in the midst of hell. I find bliss, and for an hour I forget the horror. But that does not mean that it does not exist."

"You expressed that very well. So you find yourself surrounded by death and horror in the world, and you escape it into lust. But lust has no duration; it leaves you again in the desert."

"Yes, that's true."

"Most people feel that way, but only a few feel it with such sharpness and violence as you do; few feel the need to become aware of these feelings. But tell me: besides this desperate coming and going between lust and horror, besides this seesaw between lust for life and sadness of death—have you tried no other road?"

"Oh yes, of course I have. I've tried art. I've already told you that, among other things, I also became an artist. One day, when I had roamed the world for three years perhaps, wandering almost all the time, I saw a wooden madonna in a cloister church. It was so beautiful, the sight moved me so deeply, that I asked the name of the sculptor who carved it and searched for him. I found him, he was a famous master; I became his apprentice and worked with him for a few years."

"You'll tell me more about that later. But what has art meant to you, what has art brought to you?"

"It was the overcoming of the transitory. I saw that something remained of the fools' play, the death dance of human life, something lasting: works of art. They too will probably perish some day; they'll burn or crumble or be destroyed. Still, they outlast many human lives; they form a silent empire of images and relics beyond the fleeting moment. To work at that seems good and comforting to me, because it almost succeeds in making the transitory eternal."

"I like that very much, Goldmund. I hope you will again make beautiful statues; my confidence in your strength is great. I hope you will be my guest in Mariabronn for a long time and permit me to set up a workshop for you; our cloister has long since been without an artist. But I do not think your definition quite encompassed the miracle of art. I believe that art is more than salvaging something mortal from death and transforming it into stone, wood, and color, so that it lasts a little longer. I have seen many works of art, many a saint and many a madonna, which did not seem to me merely faithful copies of a specific person who once lived and whose shapes or colors the artist has preserved."

"You are right in that," Goldmund cried eagerly. "I didn't think you were so well informed about art! The basic image of a good work of art is not a real, living figure, although it may inspire it. The basic image is not flesh and blood; it is mind. It is an image that has its home in the artist's soul. In me, too, Narcissus, such images are alive, which I hope to express one day and show to you."

"How lovely! And now, my dear Goldmund, you have strayed unknowingly into philosophy and have expressed one of its secrets."

"You're mocking me."

"Oh no. You spoke of 'basic images,' of images that exist nowhere except in the creative mind, but which can be realized and made visible in matter. Long before a figure becomes visible and gains reality, it exists as an image in the artist's soul. This image then, this 'basic image,' is exactly what the old philosophers call an 'idea.'"

"Yes, that sounds quite plausible."

"Well, and now that you have pledged yourself to ideas and to basic images, you are on mind-ground, in the world of philosophers and theologians, and you admit that, at the center of the confused, painful battlefield of life, at the center of the endless and meaningless death dance of fleshly existence, there exists the creative mind. Look, I have always addressed myself to this mind in you, ever since you came to me as a boy. In you, this mind is not that of a thinker but that of an artist. But it is mind, and it is the mind that will show you the way out of the blurred confusion of the world of the senses, out of the eternal seesaw between lust and despair. Ah, my dear friend, I am happy to have heard this confession from you. I have waited for it—since the day you left your teacher Narcissus and found the courage to be yourself. Now we can be friends anew."

It seemed to Goldmund that his life had been given a meaning. For a moment it was as though he were looking down on it from above, clearly seeing its three big steps: his dependence on Narcissus and his awakening; then the period of freedom and wandering; and now the return, the reflection, the beginning of maturity and harvest.

The vision faded again. But he had found a fitting relationship to Narcissus. It was no longer a relationship of dependence, but one of equality and reciprocity. He could be the guest of this superior mind without humiliation, since the other man had given recognition to the creative power in him. During their journey he looked forward with increasing eagerness to revealing himself to him, to making his inner world visible to him in works of images. But sometimes he also worried.

"Narcissus," he warned, "I'm afraid you don't know whom you're bringing into your cloister. I'm no monk, nor do I wish to become one. I know the three main vows. I gladly accept poverty, but I love neither chastity nor obedience; these virtues don't seem very manly to me. And I have nothing at all left of piety. I haven't confessed or prayed or taken communion in years."

Narcissus remained calm. "You seem to have become a pagan. But we are not afraid of that. You need not pride yourself any longer on your many sins. You have lived the usual life of the world. You have herded swine like the prodigal son; you no longer know what law and order mean. Surely you'd make a very bad monk. But I'm not inviting you to enter the order; I'm merely inviting you to be our guest and to set up a workshop for yourself in our cloister. And one thing more: don't forget that, during your adolescent years, it was I who awakened you and let you go into the worldly life. Whatever has become of you, good or bad, is my responsibility as well as yours. I want to see what has become of you; you will show me, in words, in life, in your works. After you have shown me, if I find that our house is no place for you, I shall be the first to ask you to leave again."

Goldmund was full of admiration every time his friend spoke in this manner, when he acted the abbot, with quiet assurance and a hint of mockery of people and life in the world, because then he saw what Narcissus had become: a man. True, a man of the mind and of the church, with delicate hands and a scholar's face, but a man full of assurance and courage, a leader, one who bore responsibility. This man Narcissus was no longer the adolescent of old times, no longer the gentle, devoted St. John; he wanted to carve this new Narcissus, the manly, knightly Narcissus. Many statues awaited him: Narcissus, Abbot Daniel, Father Anselm, Master Niklaus, beautiful Rebekka, beautiful Agnes, and still others, friends and enemies, alive and dead. No, he did not want to become a brother of the order, or a pious or learned man; he wanted to make statues, and the thought that his youthful home was to be the home of these works made him happy.

They rode through the chill of late autumn, and one day, on a morning when the bare trees hung thick with frost, they rode across a wide rolling land of deserted reddish moors, and the long chains of hills looked strangely familiar, and then came a high elm wood and a little stream and an old barn at the sight of which Goldmund's heart began to ache in happy anguish. He recognized the hills across which he had once ridden with the knight's daughter Lydia, and the heath across which he had walked that day of thinly falling snow, banished and deeply sad. The elm clumps emerged, and the mill, and the castle. With particular pain he recognized the window of the writing room in which he had then, during his legendary youth, corrected the knight's Latin and heard him tell of his pilgrimage. They rode into the courtyard; it was one of the regular stopping places of the journey. Goldmund asked the Abbot not to tell anyone there his name and to let him eat with the servants, as the groom did. That's how it was arranged. The old knight was no longer there and neither was Lydia, but a few of the old hunters and servants were still part of the household, and in the castle a very beautiful, proud, and domineering noblewoman, Julie, lived and reigned at her husband's side. She still looked wonderfully beautiful, and a little evil. Neither she nor the servants recognized Goldmund. After the meal, in the fading light of evening he crept into the garden, looked over the fence at the already wintery flower beds, crept to the stable door and looked in on the horses. He slept on the straw with the groom, and memories weighed heavily on his chest; he awakened many times. Scattered and infertile, the scenes of his life stretched out behind him, rich in magnificent images but broken in so many pieces, so poor in value, so poor in love! In the morning, as they rode away, he looked anxiously up to the windows. Perhaps he could catch another glimpse of Julie. A few days ago he had looked just as anxiously up to the windows of the bishop's palace to see if Agnes might not appear. She had not shown herself, and neither did Julie. His whole life had been like that, it seemed to him. Saying farewell, escaping, being forgotten; finding himself alone again, with empty hands and a frozen heart. He felt like that throughout the day, sitting gloomily in the saddle, not speaking at all. Narcissus let him be.

But now they were approaching their goal, and after a few days they had reached it. Shortly before tower and roofs of the cloister became visible, they rode across the fallow stony fields in which he had, oh so long ago, gathered John's-wort for Father Anselm, where the gypsy Lise had made a man of him. And now they rode through the gates of Mariabronn and dismounted under the Italian chestnut tree. Tenderly Goldmund touched the trunk and stooped to pick up one of the prickly, split husks that lay on the ground, brown and withered.