renna had arranged for Payard, the French bistro and patisserie, to provide the food at the apartment after the funeral. By the time Leigh arrived, the guests had already formed into the same groups they'd formed at Leigh's party a little over a week before, except that now the primary topic of conversation was the identity of Logan's murderer.

Leigh moved mechanically from group to group, accepting condolences and listening to all the trite things people say in a helpless, futile effort to make the darkest occasion in human experience seem somehow less tragic. Logan's friends and family were the "Chin up, Buck up, Stiff upper lip," crowd. Judge Maxwell patted her shoulder and solemnly said, "It may not seem like it now, but there are brighter days ahead. Life goes on, my dear."

Senator Hollenbeck said, "You're strong, you'll make it." His wife voiced her agreement, but in a more personal way: "I thought my life was over when my first husband died, but I made it and so will you."

Logan's ancient great-aunt, one of the few surviving members of his immediate family, laid her blue-veined hand on Leigh's sleeve, peered long and solemnly at her, and said, "What was your name, dear?"

Leigh's friends tended to demonstrate their empathy and sympathy by describing the effect Logan's death was having on them. As a group, their attitude was, "This is a tragedy for you and for everyone who knew Logan." Theta Berenson had worn one of her most somber and conservative hats—a black one with a huge brim adorned with white silk fruit and black berries, but no feathers. "I'm just devastated for you," the artist told Leigh. "Positively devastated. I keep thinking about that weekend we all spent together in Maine, and I've decided to paint the harbor scene the way I remember it. I want you to have it when it's finished."

Claire Straight, who was embroiled in a bitter, ongoing divorce battle, hugged Leigh and indignantly said, "There's no justice in this world! Logan is dead, while Charles—that bastard—goes right on living. I'm so furious with fate that I can't get over it. I've started seeing Sheila Winters for help with anger management."

Jason was with Jane Sebring and Eric. He looked more distraught than Leigh had ever seen him. "Darling, what you're going through is tearing me to pieces. You need to come back to work soon. Logan would want you to go on with your life."

Jane Sebring had been crying. Her face was pale, her beautiful eyes were shadowed and without makeup, and she was upset enough not to care about her looks. "I just can't believe it's true," she told Leigh. "I have nightmares about it, and I wake up thinking this is all a bad dream, but it isn't."

Sybil Haywood, who had taken Michael Valente off Leigh's hands the night of the party, was stricken with grief and guilt. "I'm completely to blame for this," she told Leigh fiercely.

"Sybil, that's ridiculous—"

"It isn't! If I had been a true friend—the kind you deserve to have—I would have finished your chart in time for your birthday. I wouldn't have let business get in the way of friendship. Well, I've finished it now; and it was all there—tragedy and violence. I could have forewarned you—"

The astrologer was so filled with self-blame that Leigh offered her the one consolation she could give. "I'll tell you a little secret," Leigh confided, sliding her arm around Sybil's waist. "It wouldn't have made a bit of difference if you'd finished that chart and given it to me."

"What do you mean?"

"Logan thought astrology was a farce. I believe in you, and in your honesty and dedication to it, but I'm…" She paused to choose her words carefully. "… a little ambivalent about it."

Instead of being comforted by that, Sybil was hurt and very disappointed.

Sheila Winters was the one steady, shining light in the entire day. She was at Leigh's side often, sensing when she was needed. She arrived just as Leigh finished talking to Jane, and she stayed there through Sybil's comments. "You need a few minutes alone now," she said. "You've been giving more comfort than you're getting from a lot of these people."

"I'll rest later," Leigh said. She felt limp with exhaustion, but she didn't want to leave, even for a few minutes. The people who were there had come out of respect and affection for Logan, and she loved each and every one of them that day for going to the trouble to do it.

Exempted from her affection and goodwill were the half dozen plainclothes detectives, including Littleton, McCord, and Shrader, who'd been at the funeral and were now stationed throughout the apartment. Detectives Littleton and Shrader had persuaded her that Logan's murderer might be among the mourners. Without saying so, they implied that Leigh's life might also be in danger from the killer. Leigh thought the notion absurd, but she didn't have the strength to argue with anyone about anything yet. Until yesterday, she'd convinced herself that Logan's murder had been a case of mistaken identity or, more likely, the act of someone who'd been living near the mountain property and felt it belonged to him.

Whenever she happened to notice one of the detectives, she nodded politely, but she let them fend for themselves. No one knew they were present, and no one took any notice of them—no one, except Courtney Maitland. To Leigh's astonishment, the teenager spotted all of them, including Sam Littleton, and she arrived at Leigh's side with a plate of food for Leigh and a side order of astute observations. "I count six cops," she whispered to Leigh. "Am I close, or have I missed some?"

Courtney had met Logan only once, for a few moments. She was not grief-stricken over his death, and she was too forthright and honest to put on a funeral face. Leigh hugged her tightly. "You're right on target. How did you know?"

"You're kidding, right?'' Courtney said with a grin.

"No, I'm serious."

"Who else but cops would go to a gathering like this and not talk to anyone—or look for anyone to talk to? They're not eating, they're not sad, and they're not—" She broke off.

"Not what?"

"Let's just say they're not trying very hard to make a fashion statement. The tall guy with the gray hair is interesting." She nodded toward McCord, and Leigh followed her gaze, mostly because it was a relief to be talking about something else. "He's interesting because he's got those great scars and that lean, tough face. The brunette was the hardest one of all to pick out as a cop."

"Because she's a woman?"

"No, because she's wearing seven-hundred-dollar Bottega Veneta boots."