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Dangers
he main dangers in the role of the Ideal Lover are the consequences that arise if you let reality creep in. You are creating a fantasy that in-volves an idealization of your own character. And this is a precarious task, for you are human, and imperfect. If your faults are ugly enough, or intru-sive enough, they will burst the bubble you have blown, and your target will revile you. Whenever Tullia d'Aragona was caught acting like a com-mon prostitute (when, for instance, she was caught having an affair just for money), she would have to leave town and establish herself elsewhere. The fantasy of her as a spiritual figure was broken. Casanova too faced this dan-ger, but was usually able to surmount it by finding a clever way to break off the relationship before the woman realized that he was not what she had imagined: he would find some excuse to leave town, or, better still, he would choose a victim who was herself leaving town soon, and whose awareness that the affair would be short-lived would make her idealizing of him all the more intense. Reality and long intimate exposure have a way of dulling a person's perfection. The nineteenth-century poet Alfred de Mus-set was seduced by the writer George Sand, whose larger-than-life charac-ter appealed to his romantic nature. But when the couple visited Venice together, and Sand came down with dysentery, she was suddenly no longer an idealized figure but a woman with an unappealing physical problem. De Musset himself showed a whiny, babyish side on this trip, and the lovers separated. Once apart, however, they were able to idealize each other again, and reunited a few months later. When reality intrudes, distance is often a
solution.
In politics the dangers are similar. Years after Kennedy's death, a string of revelations (his incessant sexual affairs, his excessively dangerous brinkmanship style of diplomacy, etc.) belied the myth he had created. His image has survived this tarnishing; poll after poll shows that he is still revered. Kennedy is a special case, perhaps, in that his assassination made him a martyr, reinforcing the process of idealization that he had already set in motion. But he is not the only example of an Ideal Lover whose attrac-tion survives unpleasant revelations; these figures unleash such powerful fantasies, and there is such a hunger for the myths and ideals they have to sell, that they are often quickly forgiven. Still, it is always wise to be pru-dent, and to keep people from glimpsing the less-than-ideal side of your character.
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