7

THE EAST WINDOWS at Paris police headquarters during the warm months were crowded at breakfast time with young policemen hoping to see Simone Signoret take coffee on her terrace in the nearby Place Dauphin.

Inspector Popil worked at his desk, not looking up even when the actress's terrace doors were reported to be opening, and remained undisturbed at the groaning when only the housekeeper came out to water the plants.

His window was open and he could hear faintly the Communist demonstration on the Quai des Orf¨¨vres and the Pont Neuf. The demonstrators were mostly students, chanting "Free Hannibal, Free Hannibal." They carried placards reading DEATH TO FASCISM and demanding the immediate release of Hannibal Lecter, who had become a minor cause c¨¦l¨¨bre. Letters in L'Humanit¨¦ and Le Canard Enchaîn¨¦ defended him and Le Canard ran a photo of the burning wreckage of the Christabel with the caption "Cannibals Cooked."

A moving childhood reminiscence of the benefits of collectivization ran in L'Humanit¨¦ as well, in a piece under Hannibal's own byline, smuggled out of the jail, further bolstering his Communist supporters. He would have written as readily for the extreme right fringe publications, but the rightists were out of fashion and could not demonstrate on his behalf.

Before Popil was a memorandum from the public prosecutor asking what could positively be proved against Hannibal Lecter. In the spirit of retribution, I'¨¦puration sauvage, remaining from the war, a conviction for the murder of fascists and war criminals would have to be airtight and, even justified, it would be politically unpopular.

The murder of the butcher Paul Momund was years ago, and the evidence consisted of the smell of oil of cloves, the prosecutor pointed out. Would it help to detain the woman Murasaki? Might she have colluded? the prosecutor asked. Inspector Popil advised against the detention of the woman Murasaki.

The exact circumstances surrounding the death of the restaurateur Kolnas, or Cryto-Fascist Restaurateur and Black-Marketeer Kolnas, as he was known in the papers, could not be determined. Yes, there was a hole of unknown origin in the top of his skull and his tongue and hard palate were pierced by persons unknown. He had fired a revolver, as a paraffin test proved.

The dead men in the canal boat were reduced to grease and soot. They were known to be kidnappers and white slavers. Was not a van recovered containing two captive women, by dint of a license number provided by the woman Murasaki?

The young man had no criminal record. He led his class at medical school.

Inspector Popil looked at his watch and went down the corridor to Audition 3, the best of the interrogation rooms because it received some sunlight and the graffiti had been painted over with thick white paint. A guard stood outside the door. Popil nodded to the guard and he pulled the bolt to admit him. Hannibal sat at the bare table in the center of the room. His ankle was shackled to the table leg and his wrists to a ring in the table.

"Take off the iron," Popil told the guard.

"Good morning, Inspector," Hannibal said.

"She's here," Popil said. "Dr. Dumas and Dr. Rufin are coming back after lunch." Popil left him alone.

Now Hannibal could stand when Lady Murasaki came into the room.

The door closed behind her and she reached behind her and put her hand flat on the door.

"Are you sleeping?" she said.

"Yes. I sleep well."

"Chiyoh sends her good wishes. She says she is very happy."

"I'm glad."

"Her young man has graduated and they are betrothed."

"I couldn't be more pleased for her."

A pause.

"Together they are manufacturing motor scooters, small motorcycles, in partnership with two brothers. They have made six of them. She hopes they will catch on."

"Surely they will - I'll buy one myself."

Women pick up surveillance faster than men do, as part of their survival skills, and they at once recognize desire. They also recognize its absence. She felt the change in him. Something was missing behind his eyes.

The words of her ancestor Murasaki Shikibu came to her and she said them:

"The troubled waters

Are frozen fast.

Under clear heaven

Moonlight and shadow

Ebb and flow."

Hannibal made Prince Genji's classic reply:

"The memories of long love

Gather like drifting snow.

Poignant as the mandarin ducks

Who float side by side in sleep."

"No," Lady Murasaki said. "No. Now there is only ice. It's gone. Is it not gone?"

"You are my favorite person in the world," he said, quite truthfully.

She inclined her head to him and left the room.

In Popil's office she found Dr. Rufin and Dr. Dumas in close conversation. Rufin took Lady Murasaki's hands.

"You told me he might freeze inside forever," she said.

"Do you feel it?" Rufin said.

"I love him and I cannot find him," Lady Murasaki said. Can you?"

"I never could," Rufin said.

She left without seeing Popil.

Hannibal volunteered to work in the jail dispensary and petitioned the court to allow him to return to medical school. Dr. Claire DeVrie, the head of the fledgling Police Forensics Laboratory, a bright and attractive woman, found Hannibal extremely useful in setting up a compact qualitative analysis and toxin identification unit with the minimum of reagents and equipment. She wrote a letter on his behalf.

Dr. Dumas, whose relentless cheer irritated Popil beyond measure, submitted a ringing endorsement of Hannibal, and explained that Johns Hopkins Medical Center in Baltimore, America, was offering him an internship, after reviewing his illustrations for the new anatomy text. Dumas addressed the morals clause in no uncertain terms.

In three weeks' time, over the objections of Inspector Popil, Hannibal walked out of the Palace of Justice and returned to his room above the medical school. Popil did not say goodbye to him, a guard simply brought him his clothes.

He slept very well in his room. In the morning he called the Place de Vosges and found Lady Murasaki's telephone had been disconnected. He went there and let himself in with his key. The apartment was empty except for the telephone stand. Beside the telephone was a letter for him. It was attached to the blackened twig from Hiroshima sent to Lady Murasaki by her father.

The letter said Goodbye, Hannibal. I have gone home.

He tossed the burnt twig into the Seine on his way to dinner. At the Restaurant Champs de Mars he had a splendid jugged hare on the money Louis left to buy Masses for his soul. Warmed with wine, he decided that in strict fairness he should read some prayers in Latin for Louis and perhaps sing one to a popular tune, reasoning that his own prayers would be no less efficacious than those he could buy at St.-Sulpice.

He dined alone and he was not lonely.

Hannibal had entered his heart's long winter. He slept soundly, and was not visited in dreams as humans are.

III

I'd yield me to the Devil instantly,

Did it not happen that myself am he!

---J. W. von Goethe: Faust: A Tragedy

58

IT SEEMED TO SVENKA that Dortlich's father was never going to die. The old man breathed and breathed, two years of breathing while the coffin draped with a tarpaulin waited on sawhorses in Svenka's cramped apartment. It took up most of the parlor. This occasioned a lot of griping by the woman living with Svenka, who pointed out that the coffin's rounded top prevented its use even as a sideboard. After a few months she began to keep in the coffin contraband canned goods Svenka extorted from people returning from Helsinki on the ferries.

In the two years of Joseph Stalin's murderous purges, three of Svenka's fellow officers were shot and a fourth was hanged in Lubyanka Prison.

Svenka could see that it was time to go. The art was his and he was not leaving it. Svenka did not inherit all of Dortlich's contacts, but he could get good papers. He did not have contacts inside Sweden, but he had plenty on the boats between Riga and Sweden who could deal with a package once it was at sea.

First things first.

On Sunday morning at six forty-five a.m., the maid Bergid emerged from the Vilnius apartment building where Dortlich's father lived. She was bareheaded to avoid the appearance of going to church, and carried a sizable pocket-book with her scarf and her Bible in it.

She had been gone about ten minutes when, from his bed, Dortlich's father heard the footsteps of a person heavier than Bergid coming up the stairs. A clicking and a rasping came from the apartment door as someone raked the tumblers of the lock.

With an effort, Dortlich's father pushed himself up on his pillows.

The outside door dragged on the threshold as it was pushed open. He fumbled in the drawer beside his bed and took out a Luger pistol. Faint with the effort, he held the gun in both hands and brought it under the sheet.

He closed his eyes until the door of his room opened.

"Are you sleeping, Herr Dortlich? I hope I'm not disturbing you," said Sergeant Svenka, in civilian clothes with his hair slicked down.

"Oh, it's you." The old man's expression was as fierce as usual, but he looked gratifyingly weak.

"I came on behalf of the Police and Customs Brotherhood," Svenka said. "We were cleaning out a locker and we found some more of your son's things."

"I don't want them. Keep them," the old man said. "Did you break the lock?"

"When no one came to the door I let myself in. I thought I'd just leave the box if no one was home. I have your son's key."

"He never had a key."

"It's his skeleton key."

"Then you can lock the door on your way out."

"Lieutenant Dortlich confided to me some details about your... situation and your eventual wishes. Have you written them down? You have the documents? The brotherhood feels it's our responsibility now to see your desires carried out to the letter."

"Yes," Dortlich's father said. "Signed and witnessed. A copy sent to the Klaipeda. You won't need to do anything."

"Yes, I do. One thing." Sergeant Svenka put down the box.

Smiling as he approached the bed, he picked up a cushion off a chair, scuttling sideways spiderlike to put it over the old man's face, climbing astride him on the bed, knees on his shoulders, and leaned with his elbows locked, his weight on the cushion. How long would it take? The old man was not thrashing.

Svenka felt something hard pressing in his crotch, the sheet tented under him and the Luger went off. Svenka felt the burn on his skin and the burn deep up inside him and fell away backward, the old man raising the gun and shooting through the sheet, hitting him in the chest and chin, the muzzle drooping, and the last shot hit his own foot. The old man's heart beat faster and faster faster stop. The clock above his bed struck seven, and he heard the first four strokes.

59

SNOW ABOVE THE 50th Parallel dusting the high forehead of the hemisphere, Eastern Canada, Iceland, Scotland, and Scandinavia. Snow in flurries in Grisslehamn, Sweden, snow falling into the sea as the ferry carrying the coffin came in.

The ferry agent provided a four-wheeled trolley to the men from the funeral home and helped them load the coffin on it, getting up a little speed on the deck to bump up the ramp onto the dock where the truck waited.

Dortlich's father died without immediate family and his wishes were clearly expressed. The Klaipeda Ocean and River Workers Association saw to it his wishes were carried out.

The small procession to the cemetery consisted of the hearse, a van with six men from the funeral home, and a car carrying two elderly relatives.

It is not that Dortlich's father was entirely forgotten, but most of his childhood friends were dead and few relatives survived. He was a maverick middle son, and his enthusiasm for the October Revolution estranged him from his family, and took him to Russia. The son of shipbuilders spent his life as an ordinary seaman. Ironic, agreed the two old relatives riding behind the hearse through the falling snow in the late afternoon.

The Dortlich family mausoleum was grey granite with a cross incised above the door and a tasteful amount of stained glass in clerestory windows, just colored panes, not figurative.

The cemetery warden, a conscientious man, had swept the path to the mausoleum door and swept the steps. The great iron key was cold through his mittens and he used both hands to turn it, the tumblers squealing in the lock. The men from the funeral home opened the big double doors and carried the coffin in. There was some muttering from the relatives about the Communist labor union emblem on the lid being displayed in the mausoleum.

"Think of it as a brotherly farewell from those who knew him best," the funeral director said, and coughed against his glove. It was an expensive-looking coffin for a Communist, he reflected, and speculated about the markup.

The warden had in his pocket a tube of white lithium grease. He made paths on the stone for the feet of the coffin to slide on as it went sideways into its niche, and the pallbearers were glad when they had to slide it into place, pushing from only one side and unable to lift.

The party looked around among themselves. No one volunteered to pray, and so they locked the building and hurried back to their vehicles in the blowing snow.

Upon his bed of art Dortlich's father lies still and small, ice forming in his heart.

The seasons will come and go. Voices come in faintly from the gravel paths outside, and occasionally the tendril of a vine. The colors of the stained glass grow softer as the dust accumulates. The leaves blow and then the snow, and around again. The paintings, their faces so familiar to Hannibal Lecter, are rolled up in the dark like the coils of memory.

60

GREAT SOFT FLAKES fall in still morning air along the Lievre River, Quebec, and lie feathery on the sills of the Caribou Corner Outdoor and Taxidermy shop.

Big flakes like feathers fall in Hannibal Lecter's hair as he hikes up the wooded lane to the log building. It is open for business. He can hear "O Canada!" coming from a radio in the back as a high school hockey game is about to begin. Trophy heads cover the walls. A moose is at the top and arranged in Sistine fashion below it are tableaus of Arctic fox and ptarmigan, soft-eyed deer, lynx and bobcat.

On the counter is a partitioned tray of taxidermy eyes. Hannibal sets down his bag and pokes through the eyes with a finger. He finds a pair of the palest blue intended for a dear and deceased husky. Hannibal takes them out of the tray and places them side by side on the countertop.

The proprietor is coming out. Bronys Grentz's beard is grizzled now, his temples are greying.

"Yah? I can help you?"

Hannibal looks at him, pokes in the tray and finds a pair of eyes that match Grentz's bright brown eyes.

"What is it?" Grentz asks.

"I've come to collect a head," Hannibal said.

"Which one, have you got your ticket?"

"I don't see it up there on the wall."

"It's probably in the back."

Hannibal has a suggestion. "May I come? I'll show you which one."

Hannibal brings his bag with him. It contains a few clothes, a cleaver and a rubber apron marked Property of Johns Hopkins.

It was interesting to compare Grentz's mail and his address book to the roster of the wanted Totenkopfs circulated by the British after the war. Grentz had a number of correspondents in Canada and Paraguay and several in the United States. Hannibal examined the documents at his leisure on the train, where he enjoyed a private compartment, courtesy of Grentz's cash box.

On the way back to his internship in Baltimore, he broke his trip in Montreal, where he mailed Grentz's head to one of the taxidermist's pen pals and put as a return address the name and address of another.

He was not torn with anger at Grentz. He was not torn at all by anger anymore, or tortured by dreams. This was a holiday and killing Grentz was preferable to skiing.

The train rocking southward toward America, so warm and well sprung. So different from his long train trip to Lithuania as a boy.

He would stop in New York overnight, stay at the Carlyle as the guest of Grentz, and see a play. He had tickets for both Dial M for Murder and Picnic. He decided to see Picnic as he found stage murders unconvincing.

America fascinated him. Such abundant heat and electricity. Such odd, wide cars. American faces, open but not innocent, readable. In time he would use his access as a patron of the arts to stand backstage and look out at audiences, their rapt faces glowing in the stage lights, and read and read and read.

Darkness fell and the waiter in the dining car brought a candle to his table, the blood-red claret shivering slightly in his glass with the movement of the train. Once in the night he woke at a station to hear the railroad workers blasting ice off the undercarriage with a steam hose, great clouds of steam sweeping past his window on the wind. The train started again with a tiny jerk and then a liquid glide away from the station lights and into the night, stroking southward toward America. His window cleared and he could see the stars.