arol closed her eyes for a brief moment. Dealing with the recalcitrant bigots in the chain of command was one thing. Dealing with the press was infinitely worse. Wishing she'd stayed in the yard with the grisly corpse, Carol took a deep breath and walked towards the cordon.

"Let me get this straight. You want me to come on board for the duration of this murder enquiry, but you don't want me to tell anyone?" The look of amusement in Tony's eyes masked his anger at the reluctance of influential policemen to accept the value of what he could do.

Brandon sighed. Tony wasn't making it easy for him, but then, why should he?

"I want to avoid any suggestions in the press that you are helping us. The only chance I have of getting you formally involved with the investigation is to persuade the Chief Constable that you're not going to be stealing the limelight from him and his coppers."

"And that it won't become public knowledge that Derek Armthwaite, the Hand Of God, is turning to the mumbo- jumbo men for help," Tony said, an edge in his voice betraying more than he wanted to.

Brandon's face twisted in a cynical smile. It was good to see that it was possible to ruffle that smooth surface.

"If you say so. Tony.

Technically, it's an operational matter, and he's not really supposed to interfere unless I'm doing something that's counter to force and Home Office policy.

And it is the policy of BMP to use expert assistance whenever it is appropriate. "

Tony snorted with laughter.

"And you think he'll accept me as " appropriate"?"

"I think he doesn't want another confrontation with the Home Office or the police committee. He's due to retire in eighteen months, and he's desperate for the knighthood." Brandon couldn't believe what he was saying. He didn't even voice this kind of disloyalty to his wife, never mind to a virtual stranger. What was it about Tony Hill that had made him open up so swiftly? There must be something in this psychology lark after all. Brandon comforted himself that at least he had harnessed that something in the service of justice.

"So what do you say?"

"When do I start?"

I planned the event more carefully than a theatre director plans the first production of a new play. In my mind, I crafted the experience, till it was like a bright and shining dream, there every time I closed my ^^^^ eyes. I checked and rechecked every choreographed move, ^^^^& y; \ d'" ^0 qiO91 making sure I hadn't missed some vital detail that would ^^^^& P ^^ - u"'^3' ^o endanger my freedom. Looking back on it now, the mental ^and the movie I created was almost as pleasurable as the act itself. The next step ifas to find a place where I could safely take ^^^^^^& --^S^ fcwi, a pace ye could be private together. I immediately dismissed my home. I can hear my neighbours' squalid arguments, the barking of their hysterical German shepherd and the irritating thud of their stereo's bass; I had no desire to share my apotheosis with them. Besides, in my terraced street, there are too many curtain twitchers. I wanted no witnesses to Adam's arrival or his departure.

I considered renting a lock up garage, but rejected that for the same reasons. Besides, it seemed too seedy, too much of a cliche from the world of television and film. I wanted something in keeping with what was going to happen. Then I remembered my mother's Auntie Doris. Doris and her husband Henry used to farm sheep on the moors high above Bradfield. Then, about four years ago. Henry died. Doris tried to keep things going for a while, but when her son Ken invited her out last year for an extended holiday with his family in New Zealand, she sold the sheep and packed her bags. Ken had written to me at Christmas, saying his mother had suffered a mild heart attack and wouldn't be coming back for the foreseeable future.

That night, I took advantage of a lull in work to call Ken. At first, he sounded surprised to hear from me, then muttered,

"I suppose you're using the phones at work."

"I've been meaning to ring for ages," I said.

"I wanted to know how Auntie Doris was doing." It's much easier to appear solicitous via satellite. I made the appropriate noises while Ken bored on about his mother's health, his wife, their three kids and their sheep.

After ten minutes, I decided I'd had enough.

"The other thing is.

Ken, I was worried about the house," I lied.

"It's so isolated up there, someone should keep an eye on the place."

"You're not wrong," he said.

"Her solicitor's supposed to be doing that, but I don't reckon he's been near it."

"Do you want me to pop out and check it over? Now I'm back living in Bradfield, it would be no bother."

"Would you? That'd be a hell of a load off, I don't mind telling you.

Between ourselves, I'm not sure Mum's ever going to be well enough to go back home again, but I'd hate to think of anything happening to the family home," Ken said eagerly.

Hate to think of anything happening to his inheritance, more like. I knew Ken. Ten days later, I had the keys. On my next day off, I drove out there to check the accuracy of my recollection. The rutted track leading to Start Hill Farm was much more overgrown than the last time I'd been there, and my four-wheel drive jeep struggled to climb the three miles from the nearest single-track lane. I cut the engine a dozen yards from the grim little cottage and sat listening for five minutes. The biting wind from the high moors rustled the overgrown hedges, occasional birds sang. But there were no human sounds. Not even the distant thrum of traffic.

I got out of the jeep and had a look round. One end of the sheep shed had collapsed into a random pile of millstone grit, but what pleased me was that there was no sign of casual human visitations; no picnic remains, no corroding beer cans, no crumpled newspapers, no cigarette butts, no used condoms. I walked back to the house and let myself in.

It was little more than a two-up, two-down. Inside, it was very different from the cosy farmhouse I remembered. All the personal touches photographs, ornaments, horse brasses, antiques were gone, packed up in crates in storage, a very Yorkshire precaution. In a way, I was relieved; there was nothing here that could trigger off memories that would interfere with what I had to do. It was a blank tablet, with all humiliations, embarrassments and pain erased. Nothing of my past lurked to surprise me. The person I had been was absent.

I walked through the kitchen towards the pantry. The shelves were empty. God knows what Doris had done with her serried ranks of jams, pickles and home-made wines. Maybe she'd shipped them to New Zealand as a hedge against being fed alien food. I stood in the doorway, and stared at the floor. I could feel a foolish grin of relief spread across my face. My memory hadn't let me down. There was a trapdoor in the floor. I squatted down and pulled the rusty iron ring. After a few seconds, the door swung back on creaking hinges. As I sniffed the air from the cellar, I grew more convinced that the gods were with me. I had feared it would be damp, fetid and stale. But instead, it was cool and fresh, slightly sweet.

I lit my camping gas lamp and carefully descended the flight of stone stairs. The lamp revealed a sizeable room, about twenty feet by thirty. The floor was flagged with stone slabs, and a broad stone bench ran the length of one wall. I held the lamp high and saw the solid beams of the roof. The lath and plaster ceiling was the only part of the cellar that showed any signs of disrepair. I could easily fix that with plasterboard, which would serve the double purpose of preventing any light escaping through the bare floorboards above. At right angles to the stone bench was a slop sink. I remembered the farm was served by its own spring. The tap was stiff, but when I finally managed to turn it, the water ran out pure and clear.

Near the stairs stood a scarred wooden workbench, complete with vices and G-clamps, Henry's tools hanging in neat rows above. I sat on the stone bench and hugged myself. A few hours' work was all that was needed to turn this into a dungeon far superior to anything the games programmers had ever come up with. for a start, I didn't have to think about creating an in-built weakness so my adventurers could escape.

By the end of the week, coming out to the farm in my time off, I had completed the job. Nothing sophisticated; I'd fixed padlock and internal bolts to the trapdoor, I'd repaired the ceiling, and covered the walls in a couple of coats of whitewash.

I wanted the place as light as possible to improve the quality of the video. I'd even run a spur off the ring main to provide me with electricity.

I'd thought long and hard before I'd decided how to punish Adam.

finally, I'd fixed on what the french call the chevalet, the Spanish escalero, the Germans the ladder, the Italians veglia and the poetic English

"The Duke of Exeter's Daughter'. The rack got its euphemistic name from the resourceful John Holland, Duke of Exeter and Earl of Huntingdon. After a successful career as a soldier, the duke became Constable of the Tower of London and somewhere around 1420 he introduced that splendid instrument of persuasion to these shores.

The earliest version consisted of an open rectangular frame raised on legs. The prisoner was laid underneath it, fastened by ropes round his wrists and ankles. At each corner, the ropes were attached to a windlass operated by a warder pulling on levers. This inelegant and labour- intensive device became more sophisticated over the years, ending up more like a table or a horizontal ladder, often incorporating a spiked roller in the middle so that, as the prisoner's body moved, his back was shredded on the spikes. Pulley systems had also been designed which linked all four ropes together, making it possible for the machine to be used by one person alone.

Fortunately, those who have applied punishment through the ages have been thorough in their descriptions and drawing. I also had the photographs in the museum handbook to refer to, and with the assistance of a CAD program, I'd designed my very own rack. For the mechanism, I'd cannibalized an old-fashioned clothes wringer that I picked up in an antique shop. I'd also bought an old mahogany dining table in an auction. I took it straight up to the farm and dismembered it in the kitchen, admiring the craftsmanship that had gone into the solid timber. It took a couple of days to build the rack. All that remained was to test it.

Let the reader then figure to himself the pure frenzy of horror when in this hush of expectation, looking, and indeed, waiting for the unknown arm to strike once more, but not believing that any audacity could be equal to such an attempt as yet, whilst all eyes were watching. a second case of the same mysterious nature, a murder on the same exterminating plan, was perpetrated in the very same neighbour hood

As soon as Brandon started the engine, the mobile phone mounted on the dashboard trilled. He grabbed the handset and barked,

"Brandon."

Tony could hear the computerized voice say,

"You have messages.

Please call izi. You have messages. "

Brandon took the phone from his ear, hit the keys and jammed it back again. This time. Tony couldn't hear what was said. After a moment, Brandon dialled another number.

"My secretary," he explained briefly.

"Sorry about this ... Hello, Martina? John. You were looking for me?"

A few seconds into the answer, Brandon squeezed his eyes shut, as if in pain.

"Where?" he asked, his voice dull. "OK, got it. I'll be there within the half-hour. Who's dealing? ... Fine, thanks, Martina."

Brandon opened his eyes and ended the call. He carefully replaced the handset and twisted in his seat to face Tony.

"You wanted to know when you could start? How about now?"

"Another body?" Tony asked.

"Another body," Brandon agreed grimly, turning back and slamming the car into gear.

"How do you feel about scenes of crime?"

Tony shrugged.

"I'll probably lose my lunch, but it's a bonus for me if I get to see them in a fairly pristine state."

"There's nothing pristine about the way this sick bastard leaves them," Brandon growled as he shot on to the motorway and made straight for the outside lane. The speedo read ninety-five before he eased back on the accelerator.

"Has he gone back to Temple Fields?" Tony asked.

Taken aback, Brandon shot him a quick look. Tony was staring straight ahead, his dark eyebrows corrugated in a frown.

"How did you know?"

That was a question Tony wasn't prepared to answer. "Call it a hunch," he stalled.

"I think last time out he was scared that Temple Fields might be getting a bit too hot. Dumping the third body in Carlton Park shifted the focus, maybe stopped the police concentrating on one area, probably relaxed people's vigilance a bit.

But he likes Temple Fields. Either because he knows the patch really well, or else it's important to his fantasy. Or maybe it makes some kind of statement for him," Tony mused aloud.

"Do you always come up with half a dozen different hypotheses every time someone tosses you a fact?" Brandon asked, flashing his lights at a BMW that was reluctant to give up possession of the fast lane.

"Shift, you bastard, before I get Traffic out to you," he snarled.

"I try," Tony said.

"That's how I do the job. Gradually, the evidence makes me eliminate some of my initial thoughts. Eventually, some sort of pattern begins to form." He fell silent, already fantasizing about what he would find at the scene of the crime. His stomach felt hollow, muscles fluttering like a musician before a concert.

Normally, all he ever got to see were the second-hand, sanitized versions of crime scenes. No matter how good the photographer and the other forensic officers, it was always someone else's vision he had to translate. This time, he was going to be 29 as close to a killer as he'd ever been. For a man who lived his life behind the shield of learned behaviours, penetrating a killer's facade was the only game in town.

Carol said,

"No comment," for the eleventh time. Penny Burgess's mouth tightened and her eyes flicked round the scene, desperate for someone who would be less of a stone wall than Carol. Popeye Cross might be a male chauvinist pig, but in between the patronizing comments he always salted a few memorable quotes. Drawing a blank, she focused on Carol again.

"What happened to sisterhood, Carol?" she complained. "Come on, give us a break. Surely there must be something you can tell me apart from " No comment"."

"I'm sorry, Ms Burgess. The last thing your readers need to hear is ill-informed off-the-cuff speculation. As soon as I've got anything concrete to say, I promise you'll be the first to know." Carol softened her words with a smile.

She turned to walk away, but Penny grabbed the sleeve of her mac.

"Off the record?" she pleaded.

"Just for my guidance? So I don't end up writing something that makes me look a pillock? Carol, I don't have to tell you what it's like. I work in an office full of guys that are running a book on when I'll make my next cock-up."

Carol sighed. It was hard to resist. Only the thought of what Torn Cross would make of it in the squad room kept her mouth closed.

"I can't," she said.

"Anyway, as far as I'm concerned, you've been doing just fine so far." As she spoke, a familiar Range Rover turned the corner.

"Oh shit," she muttered, pulling her arm away from the reporter. All she needed was John Brandon deciding she was the police source behind the Sentinel Times's serial-killer hysteria. Briskly, Carol walked towards Brandon's car as it jerked to a halt, waiting for someone to shift the tapes keeping the crowd at bay. She stopped and waited while the constables rushed to impress the ACC with their efficiency. The Range Rover nosed forward, giving Carol the opportunity to spot the stranger in Brandon's passenger seat. As the two men climbed down, she scanned Tony, committing the details to the memory bank she'd trained herself to develop. You never knew when you'd need to come up with a photo fit Around five-eight, slim, good shoulders, narrow hips, legs and trunk in proportion, short dark hair, side parting, dark eyes, probably blue, shadows under the eyes, fair skin, average nose, wide mouth, lower lip fuller than upper. Shame about the dress sense, though. The suit was even more out of fashion than Brandon's.

It didn't look worn, however. Deduction: this was a man who didn't spend his working life in a suit. Equally, he didn't like throwing money away, so the suit was going to be worn till it fell to bits.

Second deduction: he probably wasn't married or in a permanent relationship. Any woman whose partner needed a suit occasionally would have pitched him into buying a timelessly classic style that wouldn't look so absurd five years after its purchase.

By the time she'd reached this conclusion, Brandon was by her side, gesturing to his companion to join them. "Carol," he said.

"Mr Brandon," she acknowledged.

"Tony, I'd like you to meet Detective Inspector Carol Jordan. Carol, this is Dr Tony Hill from the Home Office."

Tony smiled and held out his hand. Attractive smile, Carol added to her list of particulars as she shook the hand. Good handshake, too.

Dry, firm without the macho need to crush the bones that so many senior officers exhibited

"Pleased to meet you," he said.

A surprisingly deep voice, faintly northern. Carol kept her own smile tight. You never knew with the Home Office. "Likewise," she said.

"Carol's heading up one of the murder teams we've got on these killings. Number two, is it, Carol?" Brandon asked, already knowing the answer.

"That's right, sir. Paul Gibbs."

Tony's in charge of the Home Office National Crime Profiling Task Force feasibility study. I've asked him to take a look at these murders, to see if his experience can give us any pointers. "

Brandon's eyes bored into Carol's, making sure she realized there were lines to be read between.

"I'd appreciate any help Dr Hill can give us, sir. From the brief look I've had at the scene of the crime, I don't think we've got any more to go on than in the previous similar cases." Carol signalled that she understood what Brandon was saying. They were both walking the same tightrope, but from different ends. Brandon could not be seen to undermine Torn Cross's operational authority, and if Carol wanted a tolerable existence in the Bradfield force, she couldn't openly contradict her immediate superior, even if the ACC agreed with her.

"Would Dr Hill like to see the crime scene?"

"We'll all have a look," Brandon said.

"You can fill me in as we go.

What have we got here? "

Carol led the way.

"It's in the back yard of the pub here. The scene of crime is obviously not the scene of death. No blood at all. We have a white male, late twenties, naked. ID unknown. He appears to have been tortured before death. Both shoulders seem to have been dislocated, and possibly his hips and knees. Some tufts of hair are missing from the scalp. He's lying on his front, so we've not had a chance to see the full extent of his injuries. I'd guess the cause of death is a deep wound to the throat. It also looks like the body had been washed before it was dumped." Carol ended her flat recitation at the yard gate. She glanced back at Tony. The only difference her words had made was a tightening of his lips.

"Ready?" she asked him.

He nodded and took a deep breath.

"As I'll ever be," he said.

"Stay outside the tapes please. Tony," Brandon said.

"The SO COs will still have a lot to do, and they don't need us dumping forensic traces all over their murder scene."

Carol opened the gate and waved the two of them through. If Tony had thought her words had prepared him for the sight inside, one look told him otherwise. It was grotesque, made all the more so by the unnatural absence of blood. Logic screamed that a body so broken should be an island in a lake of gore, like an ice cube in a Bloody Mary. He had never seen a corpse so clean outside a funeral parlour.

But instead of being laid out calm as a marble statue, this body was twisted into a loose-limbed parody of the human frame, a disjointed puppet left lying where it fell when the strings were cut.

When the two men entered the yard, the police photographer stopped snapping and gave John Brandon a nod of recognition.

"All right.

Harry," Brandon said, seemingly undaunted by the sight before him. No one could see the hands clenched into tight fists in the pockets of his waxed jacket.

"I've done all the long- and medium-range stuff, Mr Bran- don. I've just got the close-ups to go," the photographer said.

"There's a lot of wounds and bruising; I want to make sure I've got it all."

"Good lad," Brandon said.

From behind them, Carol added,

"Harry, when you've done that, can you snap all the cars parked up in the immediate area?"

The photographer raised his eyebrows.

"The lot?"

"The lot," Carol confirmed.

"Good thinking, Carol," Brandon chipped in before the scowling photographer could say anything more.

"There's always the outside chance that me lad do left the scene on foot or in the victim's car.

He might have left his here to collect later. And photographs are that much harder for the defence brief to argue with than a bobby's notebook. "

back to the corpse. The brief exchange had given Tony time to get a grip on his churning stomach. He took a step closer to the body, trying to glean some primitive understanding of the mind that had reduced a man to this. "What's your game?" he said inside his head.

"What does this mean to you? What translations are going on between this broken flesh and your desire? I thought I was the expert in keeping things battened down, but you're something else, aren't you?

You are truly special. You're the control freak's control freak. You are going to be one of the ones they write books about. Welcome to the big time. "

Recognizing that he was dangerously close to admiration for a mind so disturbingly complex, Tony forced himself to focus on the realities of what lay before him. The deep slash to the throat had virtually decapitated the man, leaving the head tilted as if hinged at the back of the neck. Tony took a deep breath and said,

"The Sentinel Times said they all died from having their throats cut. Is that right?"

"Yes," Carol said.

"They were all tortured while they were still alive, but it's the throat wounds that have been fatal in each case."

"And have they all been as deep as this?"

Carol shook her head dubiously.

"I'm only completely familiar with the second case, and that was nowhere near as violent a gash as this.

But I have seen the photographs of the other two, and the last one was nearly this bad. "

Thank God for something recognizably textbook. Tony thought. He took a couple of steps back and scanned the area. The body aside, there was nothing to distinguish it from the back yard of any other pub.

Crates of empties were stacked against the walls, the lids on the big industrial whee lie bins were firmly closed. Nothing obvious taken away, nothing obvious left behind except for the corpse itself.

Brandon cleared his throat.

"Well, everything seems to be under control here, Carol. I'd better go and have a word with the press. I saw Penny Burgess trying to rip the sleeve out of your coat when I got here. No doubt the rest of the pack are baying at her heels by now. I'll see you back at HQ later. Drop by my office. I want to have a chat with you about Dr Hill's involvement. Tony, I'll leave you in Carol's capable hands. When you're finished here, maybe you can arrange a session with Carol so she can go through the case files."

Tony nodded.

"Sounds good. Thanks, John."

"I'll be in touch. And thanks again." With that, Brandon was gone, closing the gate behind him.

"You do profiling, then," Carol said.

"I try," he said cautiously.

"Thank God the powers that be have finally seen sense," she said drily.

"I was beginning to think they'd never get round to admitting we've got a serial killer on our hands."

"You and me both," Tony said.

"I was worried after the first one, but I've been convinced since the second one."

"And I suppose it's not your place to tell them that," Carol said wearily.

"Bloody bureaucracy."

"It's a sensitive point. Even when we have a national task force set up, I suspect we're still going to have to wait for the individual police forces to come to us."