hapter 52

"I CAN'T deliver Clarice Starling," Krendler said when Doemling was gone. "I can pretty much tell you where she is and what she's doing, but I can't control Bureau assignments. And if the Bureau puts her out there for bait, they'll cover her, believe me."

Krendler pointed his finger into Mason's darkness to make his point. "You can't move in on that action. You couldn't get outside that coverage and intercept Lecter. The stakeout would spot your people in no time. Second, the Bureau won't initiate proactive unless he contacts her again or there's evidence he's close he wrote to her before and he never came around. It would take twelve people minimum to stake her out, it's expensive. You'd be better off if you hadn't gotten her off the hot seat in the shooting. It'll be messy, reversing your field and trying to hang her with that again."

"Shoulda, woulda, coulda," Mason said, doing a fair job with the s, all things considered. "Margot, look in the Milan paper, Corriere Della Sera, for Saturday, the day after Pazzi was killed, check the first item in the agony column. Read it to us."

Margot held the dense print up to the light. "It's in English, addressed to A. A. Aaron. Says: Turn yourself in to the nearest authorities, enemies are close. Hannah. Who's Hannah?"

"That's the name of the horse Starling had as a kid," Mason said. "It's a warning to Lecter from Starling. He told her in his letter how to contact him."

Krendler was on his feet. "Goddammit. She couldn't have known about Florence. If she knows about that, she must know I've been showing you the stuff."

Mason sighed and wondered if Krendler was smart enough to be a useful politician. "She didn't know anything. I placed the ad, in La Nazione and Corriere Della Sera and in the International Herald-Tribune, to run the day after we moved on Lecter. That way if we missed, he'd think Starling tried to help him. We'd still have a tie to him through Starling."

"Nobody picked it up."

"No. Except maybe Hannibal Lecter. He may thank her for it - by mail, in person, who knows? Now, listen to me: You've still got her mail covered?"

Krendler nodded. "Absolutely. If he sends her anything, you'll see it before she does."

"Listen carefully to this, Krendler: The way this ad was ordered and paid for, Clarice Starling can never prove she didn't place it on her own, and that's a felony. That's crossing the bright line. You can break her with it, Krendler. You know how much the FBI gives a shit about you when you're out. You could be dog meat. She won't even be able to get a concealed weapon permit. Nobody will watch her but me. And Lecter will know she's out there by herself. We'll try some other things first."

Mason paused to breathe and then went on. "If they don't work, we'll do like Doemling says and `distress' her with this ad - distress her, hell, you can break her in two with it. Save the half with the pussy, is my advice. The other end is too goddamned earnest. Ouch - I didn't mean to blaspheme."

Chapter 53

CLARICE STARLING running through falling leaves in a Virginia state park an hour from her house, a favorite place, no sign of any other person in the park on this fall weekday, a much-needed day off. She ran a familiar path in the forested hills beside the Shenandoah River. The air was warmed by the early sun on the hilltops, and in the hollows suddenly cool, sometimes the air was warm on her face and cool on her legs at the same time.

The earth these days was not quite still beneath Starling as she walked; it seemed steadier when she ran.

Starling running through the bright day, bright and dancing flares of light through the leaves, the path dappled and in other places striped with the shadows of tree trunks in the low early sun. Ahead of her three deer started, two does and a spike buck clearing the path in a single heart-lifting bound, their raised white flags shining in the gloom of the deep forest as they bounded away. Gladdened, Starling leaped herself.

Still as a figure in a medieval tapestry, Hannibal Lecter sat among the fallen leaves on the hillside above the river. He could see one hundred fifty yards of the running path, his field glasses proofed against reflection by a homemade cardboard shroud. First he saw the deer start, and bound past him up the hill and then, for the first time in seven years, he saw Clarice Starling whole.

Below the glasses his face did not change expression, but his nostrils flared with a deep intake of breath as though he could catch her scent at this distance.

The breath brought him the smell of dry leaves with a hint of cinnamon in them, the molding leaves beneath, and the gently decaying forest mast, a whiff of rabbit pellets from yards away, the deep wild musk of a shredded squirrel skin beneath the leaves, but not the scent of Starling, which he could have identified anywhere. He saw the deer start ahead of her, saw them bounding long after they had left her sight.

She was in his view for less than a minute, running easily, not fighting the ground. A minimal day pack high on her shoulders with a bottle of water. Backlit, the early light behind her blurring her outline as though she had been dusted with pollen on her skin. Tracking with her, Dr Lecter's binoculars picked up a sun flare off the water beyond her that left him seeing spots for minutes. She disappeared as the path sloped down and away, the back of her head the last thing he saw, the ponytail bouncing like the flag of a white-tail deer.

Dr Lecter remained still, made no attempt to follow her. He had her image running clearly in his head. She would run in his mind for as long as he chose for her to. His first real sight of her in seven years, not counting tabloid pictures, not counting distant glimpses of a head in a car. He lay back in the leaves with his hands behind his head, watching the thinning foliage of a maple above him quiver against the sky, so dark the sky that it was almost purple. Purple, purple, the bunch of wild muscadines he had picked climbing to this spot were purple, beginning to shrivel from the full, dusty grape, and he ate several, and squeezed some in his palm and licked the juice as a child will lick its hand spread wide. Purple, purple.

Purple the eggplant in the garden.

There was no hot water at the high hunting lodge during the middle of the day and Mischa's nurse carried the beaten copper tub into the kitchen garden for the sun to warm the two-year-olds bathwater. Mischa sat in the gleaming tub among the vegetables in the warm sun, white cabbage butterflies around her. The water was only deep enough to cover her chubby legs, but her solemn brother Hannibal and the big dog were strictly set to watch her while the nurse went inside to get a receiving blanket.

Hannibal Lecter was to some of the servants a frightening child, frighteningly intense, preternaturally knowing, but he did not frighten the old nurse, who knew her business, and he did not frighten Mischa, who put her star-shaped baby hands flat on his cheeks and laughed into his face. Mischa reached past him and held out her arms to the eggplant, which she loved to stare at in the sun. Her eyes were not maroon like her brother Hannibal's, but blue, and as she stared at the eggplant, her eyes seemed to draw color from it, to darken with it. Hannibal Lecter knew that the color was her passion. After she was carried back inside and the cook's helper came grumbling to dump the tub in the garden, Hannibal knelt beside the row of eggplants, the skin of the bath-soap bubbles swarming with reflections, purple and green, until they burst on the tilled soil. He took out his little penknife and cut the stem of an eggplant, polished it with his handkerchief,. the vegetable warm from the sun in his arms as he carried it, warm like an animal, to Mischa's nursery and put it where she could see it. Mischa loved dark purple, loved the color aubergine, as long as she lived.

Hannibal Lecter closed his eyes to see again the deer bounding ahead of Starling, to see her come bounding down the path, limned golden with the sun behind her, but this was the wrong deer, it was the little deer with the arrow in it pulling, pulling against the rope around its neck as they led it to the axe, the little deer they ate before they ate Mischa, and he could not be still anymore and he got up, his hands and mouth stained with the purple muscadines, his mouth turned down like a Greek mask. He looked after Starling down the path. He took a deep breath through his nose, and took in the cleansing scent of the forest. He stared at the spot where Starling disappeared. Her path seemed lighter than the surrounding woods, as though she had left a bright place behind her.

He climbed quickly to the ridge and headed downhill on the other side toward the parking area of a nearby campsite where he had left his truck. He wanted to be out of the park before Starling returned to her automobile, parked two miles away in the main lot near the ranger booth, now closed for the season.

It would be at least fifteen minutes before she could run back to her car.

Dr Lecter parked beside the Mustang and left his motor running. He had had several opportunities to examine her car in the parking lot of a grocery near her house. It was the State Park's annual discount admittance sticker on the window of Starling's old Mustang that first alerted Hannibal Lecter to this place, and he had bought maps of the park at once and explored it at his leisure.

The car was locked, hunkered down over its wide wheels as though it were asleep. Her car amused him. It was at once whimsical and terribly efficient. On the chrome door handle, even bending close, he could smell nothing. He unfolded his flat steel slim Jim and slid it down into the door above the lock. Alarm? Yes? No? Click. No.

Dr Lecter got into the car, into air that was intensely Clarice Starling. The steering wheel was thick and covered with leather. It had the word MOMO on the hub. He looked at the word with his head tilted like that of a parrot and his lips formed the words "MO MO."

He sat back in the seat, his eyes closed, breathing, his eyebrows raised, as though he were listening to a concert.

Then, as though it had-a mind of its own, the pointed pink tip of his tongue appeared, like a small snake finding its way out of his face. Never altering expression, as though he were unaware of his movements, he leaned forward, found the leather steering wheel by scent, and put around it his curled tongue, cupping with his tongue the finger indentations on the underside of the wheel. He tasted with his mouth the polished two o'clock spot on the wheel where her palm would rest. Then he leaned back in the seat, his tongue back where it lived, and his closed mouth moved as though he savored wine. He took a deep breath and held it while he got out and locked Clarice Starling's Mustang. He did not exhale, he held her in his mouth and lungs until his old truck was out of the park.

Chapter 54

IT is an axiom of behavioral science that vampires are territorial, while cannibals range widely across the country.

The nomadic existence held little appeal for Dr Lecter. His success in avoiding the authorities owed much to the quality of his long-term false identities and the care he took to maintain them, and his ready access to money. Random and frequent movement had nothing to do with it.

With two alternate identities long established, each with excellent credit, plus a third for the management of vehicles, he had no trouble feathering for himself a comfortable nest in the United States within a week of his arrival.

He had chosen Maryland, about an hour's drive south from Mason Verger's Muskrat Farm, and reasonably convenient to the music and theater in Washington and New York.

Nothing about Dr Lecter's visible business attracted attention, and either of his principal identities would have had a good chance of surviving a standard audit. After visiting one of his lockboxes in Miami, he rented from a German lobbyist for one year a pleasant, isolated house on the Chesapeake shore.

With distinct-ring call forwarding from two telephones in a cheap apartment in Philadelphia, he was able to provide himself with glowing references whenever they were required without leaving the comfort of his new home.

Always paying cash, he quickly obtained from scalpers premium tickets for the symphony, and those ballet and opera performances that interested him.

Among his new home's desirable features was a generous double garage with a workshop, and good overhead doors. There Dr Lecter parked his two vehicles, a six-year-old Chevrolet pickup truck with a pipe frame over the bed and a vise attached, which he bought from a plumber and a housepainter, and a supercharged Jaguar sedan leased through a holding company in Delaware. His truck offered a different appearance from day to day. The equipment he could put into the back or onto the pipe frame included a housepainter's ladder, pipe, PVC, a barbecue kettle, and a butane tank.

With his domestic arrangements well in hand, he treated himself to a week of music and museums in New York, and sent catalogs of the most interesting art shows to his cousin, the great painter Balthus, in France.

At Sotheby's in New York, he purchased two excellent musical instruments, rare finds both of them. The first was a late eighteenth-century Flemish harpsichord nearly identical to the Smithsonian's 1745 Dulkin, with an upper manual to accommodate Bach - the instrument was a worthy successor to the gravicembalo he had in Florence. His other purchase was an early electronic instrument, a theremin, built in the 1930s by Professor Theremin himself. The theremin had long fascinated Dr Lecter. He had built one as a child. It is played with gestures of the empty hands in an electronic field. By gesture you evoke its voice.

Now he was all settled in and he could entertain himself. .

Dr Lecter drove home to this pleasant refuge on the Maryland shore after his morning in the woods. The sight of Clarice Starling running through the falling leaves on the forest path was well established now in the memory palace of his mind. It is a source of pleasure to him, reachable in less than a second starting from the foyer. He sees Starling run and, such is the quality of his visual memory, he can search the scene for new details, he can hear the big, healthy whitetails bounding past him up the slope, see the calluses on their elbows, a grass burr on the belly fur of the nearest. He has stored this memory in a sunny palace room as far as possible from the little wounded deer . . .

Home again, home again, the garage door dropping with a quiet hum behind his pickup truck.

When the door rose again at noon the black Jaguar came out, bearing the doctor dressed for the city.

Dr Lecter very much liked to shop. He drove directly to Hammacher Schlemmer, the purveyor of fine home and sporting accessories and culinary equipment, and there he took his time. Still in his woodsy mood, with a pocket tape measure he checked the dimensions of three major picnic hampers, all of them lacquered wicker with sewn leather straps and solid brass fittings. Finally, he settled on the medium-sized hamper, as it only had to accommodate a place setting for one.

The wicker case had in it a thermos, serviceable tumblers, sturdy china, and stainless-steel cutlery. The case came only with the accessories. You were obliged to buy them.

In successive stops at Tiffany and Christofle, the doctor was able to replace the heavy picnic plates with Gien French china in one of the chasse patterns of leaves and upland birds. At Christofle he obtained a place setting of the nineteenth-century silverware he preferred, in a Cardinal pattern, the maker's mark stamped in the bowl of the spoons, the Paris rat tail on the underside of the handles. The forks were deeply curved, the tines widely spaced, and the knives had a pleasing heft far back in the palm. The pieces hang in the hand like a good dueling pistol. In crystal, the doctor was torn between sizes in his aperitif glasses, and chose a chimney ballon for brandy, but in wineglasses there was no question. The doctor chose Riedel, which he bought in two sizes with plenty of room for the nose within the rim.

At Christofle he also found place mats in creamy white linen, and some beautiful damask napkins with a tiny damask rose, like a drop of blood, embroidered in the corner. Dr Lecter thought the play on damask droll and bought six napkins, so that he would always be equipped, allowing for laundry turnaround time.

He bought two good 35,000 BTU portable gas burners, of the kind restaurants use to cook at tableside, and an exquisite copper saut?pan and a copper fait-tout to make sauces, both made for Dehillerin in Paris, and two whisks. He was not able to find carbon-steel kitchen knives, which he much preferred to stainless steel, nor could he find some of the special-purpose knives he had been forced to leave in Italy.

His last stop was a medical supply company not far from Mercy General Hospital, where he found a bargain in a nearly brand-new Stryker autopsy saw, which strapped down neatly in his picnic hamper where the thermos used to go. It was still under warranty, and came with general-purpose and cranial blades, as well as a skull key, to nearly complete his batterie de cuisine.

Dr Lecter's French doors are open to the crisp evening air. The bay lies soot-and-silver under the moon and moving shadows of the clouds. He has poured himself a glass of wine in his new crystal and set it on a candle stand beside the harpsichord. The wine's bouquet mixes with the salt air and Dr Lecter can enjoy it without ever taking his hands from the keyboard.

He has in his time owned clavichords, virginals, and other early keyboard instruments. He prefers the sound and feel of the harpsichord; because it is not possible to control the volume of the quill-plucked strings, the music arrives like experience, sudden and entire.

Dr Lecter looks at the instrument, opening and closing his hands. He approaches his newly acquired harpsichord as he might approach an attractive stranger via an interesting light remark - he plays an air written by Henry VIII, "Green Grows the Holly."

Encouraged, he essays upon Mozart's "Sonata in B Flat Major."

He and the harpsichord are not yet intimate, but its responses to his hands tell him they will come together soon. The breeze rises and the candles flare, but Dr Lecter's eyes are closed to the light, his face is lifted and he is playing.

Bubbles fly from Mischa's star-shaped hands as she waves them in the breeze above the tub and, as he attacks the third movement, through the forest lightly flying, Clarice Starling is running, running, rustle of the leaves beneath her feet, rustle of the wind high in the turning trees, and the deer start ahead of her, a spike buck and two does, leaping across the path like the heart leaps. The ground is suddenly colder and the ragged men lead the little deer out of the woods, an arrow in it, the deer pulling against the rope twisted around its neck, men pulling it wounded so they will not have to carry it to the axe, and the music clangs to a stop above the bloody snow, Dr Lecter clutching the edges of the piano stool. He breathes deep, breaths deep, puts his hands on the keyboard, forces a phrase, then two that clang to silence.

We hear from him a thin and rising scream that stops as abruptly as the music. He sits for a long time with his head bent above the keyboard. He rises without sound and leaves the room. It is not possible to tell where he is in the dark house. The wind off the Chesapeake gains strength, whips the candle flames until they gutter out, sings through the strings of the harpsichord in the dark-now an accidental tune, now a thin scream from long ago.

Chapter 55

THE MID-ATLANTIC Regional Gun and Knife Show in War Memorial Auditorium. Acres of tables, a plain of guns, mostly pistols and assault-style shotguns. The red beams of laser sights flicker on the ceiling.

Few genuine outdoorsmen come to gun shows, as a matter of taste. Guns are black now, and gun shows are bleak, colorless, as joyless as the inner landscape of many who attend them.

Look at this crowd: scruffy, squinty, angry, eggbound, truly of the resinous heart. They are the main danger to the right of a private citizen to own a firearm.

The guns they fancy are assault weapons designed for mass production, cheaply made of stampings to provide high firepower to ignorant and untrained troops.

Among the beer bellies, the flab and pasty white of the indoor gunmen moved Dr Hannibal Lecter, imperially slim. The guns did not interest him. He went directly to the display of the foremost knife merchant of the show circuit.

The merchant's name is Buck and he weighs three hundred twenty-five pounds. Buck has a lot of fantasy swords, and copies of medieval and barbarian items, but he has the best real knives and blackjacks too, and Dr Lecter quickly spotted most of the items on his list, things he'd had to leave in Italy.

"Can I hep you?"

Buck has friendly cheeks and a friendly mouth, and baleful eyes.

"Yes. I'll have that Harpy, please, and a straight, serrated Spyderco with a four-inch blade, and that drop-point skinner at the back."

Buck gathered the items.

"I want the good game saw. Not that one, the good one. Let me feel that flat leather sap, the black one . . ."

Dr Lecter considered the spring in the handle. "I'll take it."

"Anything else?"

"Yes. I'd like a Spyderco Civilian, I don't see it."

"Not a whole lot of folks know about that. I never stock but one."

"I only require one."

"It's regular two hundred and twenty dollars, I could let you have it for one ninety with the case."

"Fine. Do you have carbon-steel kitchen knives?"

Buck shook his massive head. "You'll have to find old ones at a flea market. That's where I get mine at. You can put an edge on one with the bottom of a saucer."

"Make a parcel and I'll be back for it in a few minutes."

Buck had not often been told to make a parcel, and he did it with his eyebrows raised.

Typically, this gun show was not a show at all, it was a bazaar. There were a few tables of dusty World War Two memorabilia, beginning to look ancient. You could buy M-1 rifles, gas masks with the glass crazing in the goggles, canteens. There were the usual Nazi memorabilia booths. You could buy an actual Zyklon B gas canister, if that is to your taste.

There was almost nothing from the Korean or Vietnam wars and nothing at all from Desert Storm.

Many of the shoppers wore camouflage as if they were only briefly back from the front lines to attend the gun show, and more camouflage clothing was for sale, including the complete ghillie suit for total concealment of a sniper or a bow hunter - a major subdivision of the show was archery equipment for bow hunting.

Dr Lecter was examining the ghillie suit when he became aware of uniforms close beside him. He picked up an archery glove. Turning to hold the maker's mark to the light, he could see that the two officers beside him were from the Virginia Department of Game and Inland Fisheries, which maintained a conservation booth at the show.

"Donnie Barber," said the older of the two wardens, pointing with his chin. "If you ever git him in court, let me know. I'd love to git that son of a bitch out of the woods for good."

They were watching a man of about thirty at the other end of the archery exhibit. He was facing them, watching a video. Donnie Barber wore camouflage, his blouse tied around his waist by the sleeves. He had on a khaki-colored sleeveless T-shirt to show off his tattoos and a baseball cap reversed on his head.

Dr Lecter moved slowly away from the officers, looking at various items as he went. He paused at a display of laser pistol sights an aisle away and, through a trellis hung with holsters, the doctor watched the flickering video that held Donnie Barber's attention.

It was a video about hunting mule deer with bow and arrow.

Apparently someone off camera was hazing a deer along a fence through a wooded lot, while the hunter drew his bow. The hunter was wired for sound. His breathing grew faster. He whispered into the microphone, "It don't git any better than this."

The deer humped when the arrow hit it and ran into the fence twice before leaping the wire and running away.

Watching, Donnie Barber jerked and grunted at the arrow strike.

Now the video huntsman was about to field - dress the deer. He began at what he called the ANN-us.

Donnie Barber stopped the video and ran it back to the arrow strike again and again, until the concessionaire spoke to him.

"Fuck yourself, asshole," Donnie Barber said. "I wouldn't buy shit from you."

At the next booth, he bought some yellow arrows, broad-heads with a razor fin crosswise in the head. There was a box for a prize drawing and, with his purchase, bonnie Barber received an entry slip. The prize was a two-day deer lease.

Donnie Barber filled out his entry and dropped it through the slot, and kept the merchant's pen as he disappeared with his long parcel into the crowd of young men in camouflage.

As a frog's eyes pick up movement, so the merchant's eyes noted any pause in the passing crowd. The man before him now was utterly still.

"Is that your best crossbow?"

Dr Lecter asked the merchant.

"No."

The man took a case from under the counter. "This is the best one. I like the recurve better than the compound if you got to tote it. It's got the windlass you can drive off a 'lectric drill or use it manual. You know you can't use a crossbow on deer in Virginia unless you're handicapped?" the man said.

"My brother's lost one arm and he's anxious to kill something with the other one," Dr Lecter said.

"Oh I Gotcha."

In the course of five minutes, the doctor purchased an excellent crossbow and two dozen quarrels, the short, thick arrows used with a crossbow.

"Tie up a parcel," Dr Lecter said.

"Fill out this slip and you might win you a deer hunt. Two days on a good lease," the merchant said.

Dr Lecter filled out his slip for the drawing and dropped it through the slot in the box.

As soon as the merchant was engaged with another customer, Dr Lecter turned back to him.

"Bother!" he said. "I forgot to put my telephone number on my drawing slip. May I?"

"Sure, go ahead."

Dr Lecter took the top off the box and took out the top two slips. He added to the false information on his own, and took a long look at the slip beneath, blinking once, like a camera clicking.